Brilliantly directed, superbly written and thoroughly engaging drama that skilfully blends sports movies, immigration dramas and coming of age movies, while avoiding the usual cliches.
Sugar (2009)
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Reviews Counted:100
Fresh:93
Rotten:7
Average Rating:7.8/10
Consensus: Sugar is an exceptionally-crafted film -- part sports flick, part immigrant tale -- with touching and poignant drama highlighted by splendid performances.
Rated: R [See Full Rating] for language, some sexuality and brief drug use.
Runtime: 2 hrs
Genre: Dramas
Theatrical Release:Apr 3, 2009 Limited
Box Office: $1,037,595
Synopsis:
Sugar follows the story of Miguel Santos, a.k.a. Sugar, a Dominican pitcher from San Pedro De Macorís, struggling to make it to the big leagues and pull himself and his family out of poverty....
Sugar follows the story of Miguel Santos, a.k.a. Sugar, a Dominican pitcher from San Pedro De Macorís, struggling to make it to the big leagues and pull himself and his family out of poverty. Playing professionally at a baseball academy in the Dominican Republic, Miguel finally gets his break at age 19 when he advances to the United States’ minor league system; but when his play on the mound falters, he begins to question the single-mindedness of his life’s ambition.
The baseball academy where Miguel Santos has been training as a pitcher since he was signed at age 16 is a breeding ground for major league talent. Living at the facility during the week, players go through rigorous daily training, while scouts observe and grade their abilities. Sugar’s uncommon ability on the mound is apparent, but there are thousands of teenagers across the island just like Miguel, all of whom hope for the opportunity to advance to the United States minor league system – just the first step of many on an arduous journey to the big leagues.
Miguel spends his weekends at home, passing from the landscaped gardens and manicured fields on one side of the guarded academy gate to the underdeveloped, more chaotic world beyond. In his small village outside San Pedro de Macorís, Miguel enjoys a kind of celebrity status. His neighbors gather to welcome him back for the weekend; the children ask him for extra baseballs or an old glove. To his family, who lost their father years before, Miguel is their hope and shining star. With the small bonus he earned when he signed with the academy some time ago, he has started to build his family a new house – one that has a bigger kitchen for his mom and a separate room for his grandmother.
Towards the end of their winter season, Miguel is called up to spring training in the United States – the next small step on his way to achieving his family’s dream of a big league contract. Family and friends come out of the woodwork to celebrate, and Miguel is on his way.
Miguel travels with several other Dominican rookies to the team’s spring training facility in Arizona. It’s his first time on a plane, his first time in a hotel room, his first time in a foreign land where a foreign language is spoken, his first time away from home. Miguel experiences a lot of firsts before he even sets foot on the enormous, immaculate spring training complex. Miguel quickly finds that he’s not the only superstar at spring training; there are hundreds of highly talented prospects all trying to land spots on one of the team’s minor league affiliates, including Brad Johnson, the highly touted 2nd baseman, who landed a million-dollar contract out of Stanford. Despite this new level of competition, Miguel proves himself exceptional on the mound even here, and lands a spot with the Single-A affiliate in Bridgetown, Iowa – the Swing. Brad Johnson and Jorge Ramirez, an old friend from the academy who was called up a couple years before, but has been slowed down by a lingering leg injury, are among the other players placed on the Swing.
In Bridgetown, Miguel is assigned to a host family, the Higgins, an aging Christian couple who live in an isolated farmhouse. The Higgins are devout Swing fans, and every year they house a new young player from the team. They try to treat Miguel like part of the family, inviting him to dinners, bringing him to church, and even encouraging a tenuous friendship between Miguel and their teenage granddaughter Anne.
Jorge, the more veteran player and the only other Dominican on the team, also tries to help Miguel learn the ropes. However, despite the Higgins’ welcoming efforts and Jorge’s guidance, the challenge of Miguel’s acceptance into the community is exposed in small ways every day, from his struggle to communicate in English to an incident of casual bigotry at a local bar.
Miguel’s domination on the mound masks his underlying sense of isolation, until he injures himself during a routine play at first. While on the disabled list, Jorge – his one familiar connection to home in this strange new place – is cut from the team, having never fully regained his ability following off-season knee surgery. The new vulnerability of Miguel’s injury, coupled with the loneliness of losing his closest friend, force Miguel to begin examining the world around him and his place within it. Pressure mounts when Salvador, a young pitching phenom who used to play with Miguel, is brought up from the Dominican Republic to join the team. Miguel’s play falters, and the increased isolation begins to take its toll on him. As his dream begins to fall apart, Miguel decides to leave baseball to follow another kind of American dream. His odyssey finally brings him to New York City, where he struggles to find community and make a new home for himself, like so many before him. --© Sony Pictures Classics
Starring: Algenis Perez Soto, Rayniel Rufino, Andre Holland, Michael Gaston
Starring: Algenis Perez Soto, Rayniel Rufino, Andre Holland, Michael Gaston, Jaime Tirelli, Jose Rijo, Ann Whitney, Richard Bull, Ellary Porterfield, Alina Vargas, Kelvin Leonardo Garcia, Joendy Pena Brown
Director: Ryan Fleck, Anna Boden
Director: Ryan Fleck, Anna Boden
Screenwriter: Ryan Fleck, Anna Boden
Producer: Paul Mezey, Jamie Patricof, Jeremy Kipp Walker
Composer: Michael Brook
Studio: HBO Films
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Release:
Sep 1, 2009
DVD Features:
- Keep Case
- Anamorphic Widescreen - 1.78
Audio:
- Dolby Digital 5.1 - English, Spanish
- Dubbed, Subtitles - Portuguese
- Subtitles - English, French, Spanish
Additional Release Material:
- Deleted Scenes
Interviews:
- 1. Casting Sugar: Interview with Algenis Perez Soto
- 2. Pedro Martinez, Baseball Player; David Ortiz, Baseball Player
Making Of:
- 1. Making Sugar: Run the Bases
Featurette:
- 1. Play Béisbol! The Dominican Dream
Reviews for Sugar
A powerfully engaging coming-of-age immigration sports documentary-style drama. And this unpredictable genre mash-up is pure magic.
Like a slow curve ball, its journey unexpectedly going off course, Boden and Fleck deliver their magnificent take on the American dream by skewing it sideways.
Sugar is a completely convincing character who inhabits what appears to be an utterly authentic world.
Naturalistic performances, even-handed characterisation and the utter eschewal of genre cliches ensure that this tale of a stranger in a strange land hits home.
This sophomore effort from the writing and directing duo of Anna Boden and Ryan Fleck ("Half Nelson") is not your typical sports movie, but rather focuses on the immigrant experience of a foreigner on a work visa to play minor league baseball.
Sugar is a baseball movie in the way that Macbeth is a play about kilts. The description is accurate as far as it goes, but it doesn’t go nearly far enough.
It resists cliche at every turn and puts something solid in its place: raw yet controlled observation that gives the film the form of a flexing muscle.
It is a gently persuasive, bittersweet run around the base paths in the game of life.
That the movie manages to avoid some of the customary cliches and formulaic machinations of the sports drama genre makes the film rewarding, as do the performances by its mostly fresh-faced cast.
A penetrating exploration of the hardships that Dominican baseball recruits face in making to the major leagues.
This is a film that finds certain purity in disillusionment and freedom in failure. Which may not be sweet, but it is tasty.
A terrific film that's not just for sports fans. Written and directed by Anna Boden and Ryan Fleck, it's as insightful as it is entertaining.
A story about expectations, the division of work and play, and the terrifying but terrific ability human beings have to change their minds.
Sugar is a subtly engaging film about a world -- indeed, a string of worlds -- that hums energetically all around us and yet remains invisible.
the feeling of it when it's over is exhilaration at time spent with real characters placed in real situations.
With the moving, absorbing drama Sugar, Boden and Fleck not only avoid the sophomore slump, they demolish it, delivering a film of rare intelligence, beauty and compassion.
Fleck and Boden probably will get better at making movies, but for now, they can get by with this: They are curious about what makes people tick, and they have a talent for making us curious, too.
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