Diane English’s abysmal remake of George Cukor’s 1939 femme classic will have fans of the original growing claws.
The Women (2008)
Tomatometer
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Reviews Counted:142
Fresh:18
Rotten:124
Average Rating:3.9/10
Consensus: The Women is a toothless remake of the 1939 classic, lacking the charm, wit and compelling protagonists of the original.
Rated: PG-13 [See Full Rating] for sex-related material, language, some drug use and brief smoking.
Runtime: 1 hr 54 mins
Genre: Comedies
Theatrical Release:Sep 12, 2008 Wide
Box Office: $26,814,683
Synopsis: Packed with an all-star cast, Diane English's (MURPHY BROWN) contemporary version of THE WOMEN showcases the talents of Annette Bening, Meg Ryan, Jada Pinkett Smith, Candice Bergen, and Debra... Packed with an all-star cast, Diane English's (MURPHY BROWN) contemporary version of THE WOMEN showcases the talents of Annette Bening, Meg Ryan, Jada Pinkett Smith, Candice Bergen, and Debra Messing. Like the 1939 original, the film deals with the relationships among a close-knit group of female friends, who, when their marriages fail and their lives are on the verge of falling apart, turn to each other for support. On the surface, Mary (Ryan) appears the happiest of the bunch, but her life changes instantly when her best friend Sylvia (Bening) discovers that Mary's husband's having an affair. The actresses frequently appear on screen as an ensemble, exhibiting a relaxed, compelling chemistry. The film feels cluttered at times, but perhaps that is fitting considering how much each female character has on her plate with regards to family, work, marriage, and friendship. Eva Mendes appears as the jaw-dropping beauty who is partially to blame for the fallout of Mary's marriage. As Mary's mother and the voice of wisdom, Bergen delivers the film's best lines with sarcasm, wit, and charm. As in the SEX AND THE CITY movie, the message here seems to be that before finding love with a man, a woman must truly love and know herself. While Mary's high-society social standing enables her to start a fashion line on a whim and makes her self-transformation somewhat easy, female viewers from all walks of life are likely to recognize something relatable in the many women characters driving the film. One nice touch is that while much of the drama surrounds various marital problems, even the cheating husband in question never appears on screen. When you get down to it, the film's most important relationships are between the women themselves. [More]
Starring: Meg Ryan, Annette Bening, Eva Mendes, Debra Messing
Starring: Meg Ryan, Annette Bening, Eva Mendes, Debra Messing, Jada Pinkett Smith, Candice Bergen, Carrie Fisher, Lynn Whitfield, Joanna Gleason, Ana Gasteyer, Debi Mazar, Bette Midler, Cloris Leachman
Director: Diane English
Director: Diane English
Screenwriter: Diane English
Producer: Victoria Pearman, Mick Jagger, Bill Johnson, Diane English
Composer: Mark Isham
Studio: Picturehouse
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Reviews for The Women
The Women isn't terrible. There's too much talent here for that, even if it's displayed unevenly. But it's something that might be even worse: unnecessary, at least as long as you can rent the original.
Cukor's tone and timing are missing: It's as if English has included all the boutiques but none of the bite.
It is difficult to determine whether this adaptation of the old Clare Boothe Luce play, and the 1939 George Cukor film version of it, is a calculated insult to all women or just a poorly directed effort to understand the fair sex.
[English] has reduced one of the wittiest women's comedies ever made to just another ho-hum chick flick.
A remake of a movie from the 1930s, but it seems like a throwback to the Stone Age.
These women haven't only been declawed, they've been spayed and neutered.
In a post Ab Fab world, The Women is distinctly Ab Blab - an awful lot of nattering that has little edge.
Messy construction, trite themes and an endless parade of verbal chestnuts.
The Women is such an arduous patchwork of 'issues' it ends up a Frankenstein's monster of a chick flick.
This new version of The Women fails to celebrate its characters as women.
As much as I enjoy current actresses like Ms. Bening and Ms. Ryan even in a lost cause, I cannot recommend the latest reenactment of The Women as anything special.
English struggles trying to create the kind of feel-good experience that seems to come so naturally to femme helmers like Nancy Meyers and Nora Ephron.
The Women clangs with so many false moments that you practically leave the theater with tinnitus.
Compared to the deliciously catty 1939 film, this one seems not so much updated as, if not neutered, definitely declawed.
Lacking humor, wit and bite, Diane English's pointless remake of Cukor's 1939 classic is a major disappointment, a film that turns the sharp, campy and hilarious comedy into a banal melodrama about female camaraderie and empowerment.
The original version of The Women, shrill and campy as it can be, is miles ahead of this remake when it comes to issues of class and social maneuvering.
Piecemeal and earnest to a fault, this remake of George Cukor's 1939 film relies so much on the elite world of humorless, filthy rich New York women that it excludes most of its would-be target fans.
Latest News for The Women
January 21, 2009:
Razzies Name 2008's Worst Movie Nominees
No awards season would be complete without the Golden Raspberry Awards (AKA The Razzies), awarded each year to the very worst movies to hit Hollywood. This year's winners will... More...
January 04, 2009:
Visual Hollywood: The Women is partially salvaged from being endlessly offensive, as the witty and warm ensemble chemistry of these actresses kicks in. ![]()
More...
January 04, 2009:
Iconoclast.com: The Women: Eva Mendes On Pie, Boy Talk And Trying Not To Play Bitchy ![]()
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January 03, 2009:
Sex, lies and shopping: An exclusively perky female milieu of smart and sassy, if also frivolously inclined backtalk babes. ![]()
More...
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