If the script had been half as powerful as Swinton, this could have been special.
Julia (2008)
Tomatometer
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Reviews Counted:47
Fresh:34
Rotten:13
Average Rating:6.3/10
Consensus: Tilda Swinton delivers a powerful performance in Julia, a tense thriller and a dark character study.
Rated: R [See Full Rating] for perverse language, some violent content and brief nudity.
Runtime: 2 hrs 25 mins
Genre: Dramas
Theatrical Release:May 8, 2009 Limited
Synopsis: Tilda Swinton stars in this intense drama as Julia, an aging alcoholic who spends her nights drinking in the company of strangers, and her days making excuses for herself. Beginning in a sleek Los... Tilda Swinton stars in this intense drama as Julia, an aging alcoholic who spends her nights drinking in the company of strangers, and her days making excuses for herself. Beginning in a sleek Los Angeles nightclub, the film shows Julia as she would like to be seen, beautiful and intoxicating. But by morning when Julia wakes once again in bed with a man she doesn’t know, the flattering light of evening has worn off, exposing the harsh reality underneath. Julia’s life knows no real friendships and no real meaning. Any shred of normalcy has slowly been eaten away by the constant pull of alcohol, which has replaced all other drives as the guiding force of Julia’s life. When Mitch (Saul Rubinek), her only friend and a recovering alcoholic, pushes her to attend an AA meeting, she meets her neighbor, Elena (Kate del Castillo). From there, Julia finds herself facing unexpected temptation as Elena shares a highly flawed plan to kidnap her own son, Tommy (Aidan Gould), from the wealthy grandfather he is living with. Elena promises money, and Julia can’t resist, embarking on a messy and sadistic journey that goes wrong at every turn and grows more complicated as her relationship with Tommy develops. French Director Eric Zonca provides an ample platform on which his lead can display her many talents. Never shying away from serious, complex roles, Swinton carries the film with her nuanced and heart-wrenching portrayal of an out-of-control drunk. While it can be hard to watch at times, viewers will find themselves sucked in as Julia’s life spins speedily downhill. With her piercing stare and undeniable screen presence, Swinton demands our attention, whether we like it or not. [More]
Starring: Tilda Swinton, Saul Rubinek, Kate Del Castillo, Aidan Gould
Starring: Tilda Swinton, Saul Rubinek, Kate Del Castillo, Aidan Gould, Jude Ciccolella, Bruno Bichir, Horacio Garcia Rojas, Gaston Peterson, Mauricio Moreno, Kevin Kilner, John Bellucci, Ezra Buzzington
Director: Erick Zonca
Director: Erick Zonca
Screenwriter: Aude Py, Erick Zonca
Producer: Francois Marquis, Bertrand Faivre
Studio: Magnolia Pictures
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Reviews for Julia
Swinton's Julia is one of those performances that goes so far in repelling audience sympathy that it comes out the other side looking almost admirable.
Boasts an electrifying, brave performance by Tilda Swinton and has a thrilling initial half, but eventually becomes tedious and convoluted while lacking plausibility and insight into the titular character.
"Julia" is more than an homage to John Cassavetes' 1980 maternal crime thriller "Gloria;" it is a spectacularly flawed genre experiment that goes so wrong, and with such an intense fury, that you can't pull yourself away from it.
Picture Fargo played with no sense of comedy, and you'll get some idea of the absurdity of this drunken floozy, clicking and wobbling on high heels, often with bits of her anatomy hanging out, trying to pull off the perfect crime.
Unfortunately the Cassevetes-style film needed Cassavetes to make it. Zonca, essaying a pell-mell verismo, produces something resembling Gloria mugged by A Woman Under the Influence.
Zonca has put together an ambitious and forthright story, but Swinton's contribution looks more like an actressy impersonation than a performance, and indeed Zonca's film itself looks like a European facsimile of Americana.
This is Zonca's second feature. His first, The Dreamlife of Angels, was extraordinary. Rent that one instead.
Swinton masterfully pours much more than her heart into her drunken damsel in distress performance in this gin drenched drama. But the audience is unfortunately left to languish without a clue, as to how she ended up that way and who she may be when sober
Tilda Swinton gives a committed and courageously unsympathetic performance as the self-serving Julia, but this is a character with whom you would rather spend as little time as possible – and certainly not the endurance-testing running time.
It is no easier to warm to Zonca's film than to its central character - but it is impossible to take your eyes off either. Amoral, at times brutal, and full of surprises...
I recommend going to see it, but don't blame me when you feel like you've downed a fifth of vodka afterwards.
Julia, by and large, is a tale of desperate opportunists, fugitive souls who survive by living on their wits, taking risks and making it up as they go along. It sometimes feels that a similar person is behind the camera as well as in front of it.
a tonally-consistent, lively thriller that is very much of the filmmaker's own little corner of the world
Julia is a mix of fantasy and tragedy, with the violence amped up and the background noisy and lurid.
Watching the actor broadly wallow in human ugliness before turning into a red-maned mama lion single-handedly redeems this exercise in semigratuitous grit.
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