A war of wills takes place between two men who want to run the same grocery store in this offbeat comedy from writer and director Steven Conrad. Doug (Seann William Scott) is a seemingly ordinary guy who works as the assistant manager of a supermarket near Chicago. When the owners of the market announce they're opening a new branch near Doug's neighborhood, he applies to become manager of the new store, and both he and his wife (Jenna Fischer) assume he's a shoo-in to get the job. But Richard
(John C. Reilly), a gregarious recent hire at the store who has relocated to Illinois from Canada, announces he's also applying for the management position, and a keen rivalry develops between Doug and Richard even as they strive to act like friends on the surface. As the competition grows between the two, their personality flaws become increasingly evident -- Doug's short temper, Richard's history of drug abuse -- and when Richard's wife (Lili Taylor) leaves him, the contest starts taking an uncomfortable turn. The Promotion also stars Fred Armisen, Gil Bellows, and Bobby Cannavale. ~ Mark Deming, Rovi
The Promotion may not be much, and you get to know that supermarket uncomfortably well by the end of the 85 minutes. But as I say: He's an interesting writer.
The strangely paced drama/comedy never finds much of a groove. Elements of conventional madcap comedy butt against more indie-ready scenes of relationship dysfunction, and the end result is more frustrating than interesting.
A bit Alexander Payne social satire, a bit Mike Judge's "Office Space," "The Promotion" keeps the laughter mostly low-key while addressing deflating truths about occupational angst -writer/director Steve Conrad's sturdy thematic stock-in-trade.
By taking the time to make that connection with the audience, The Promotion ensures we'll forgive these guys anything -- and laugh along with them -- in their quest to advance their lots.
A work-retreat sequence is hilarious, thanks to a scene-stealing supporting bit from Jason Bateman. And Reilly's convincing portrayal of the somewhat self-destructive Richard does make the whole thing watchable.
I wanted this movie to be so much more than what it was. I felt like it was a wasted cast. It was a boring Step Brothers with out Will Ferrell. The whole movie is beyond frustrating, but it had a happy ending. I don't know. It was just okay.
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