Tone and pace are absolutely crucial to comedy. If the tone is wrong or the pace is off - by even a hair - the comedy will shrivel up and die. And that's precisely what happens in The Promotion.
The Promotion (2008)
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Reviews Counted:74
Fresh:39
Rotten:35
Average Rating:5.7/10
Consensus: With a workplace-related theme worthy of satire, The Promotion features some sharp witticisms but ultimately disappoints.
Rated: R [See Full Rating] for language including sexual references, and some drug use.
Runtime: 86 mins
Genre: Comedies
Theatrical Release:Jun 6, 2008 Limited
Box Office: $362,531
Synopsis: THE PROMOTION is a low-key, deader than deadpan comedy-drama that fans of THE OFFICE should love. The film stars Sean William Scott (AMERICAN PIE) and John C. Reilly (TALLADEGA NIGHTS) as assistant... THE PROMOTION is a low-key, deader than deadpan comedy-drama that fans of THE OFFICE should love. The film stars Sean William Scott (AMERICAN PIE) and John C. Reilly (TALLADEGA NIGHTS) as assistant managers dueling for the same promotion within their Chicago-area grocery chain. Doug (Scott) is initially so sure the job is his that he takes all sorts of financial risks to impress his wife (Jenna Fischer); Richard (Reilly) is a transfer from Canada with an addiction to self-help tapes, plus a druggie biker past he needs to keep under wraps as the interview process heats up and the undercutting begins. Writer-director Steve Conrad continues exploring his fascination with how average Americans measure themselves and fight for their slice of the pie, a study he began in his acclaimed screenplays for THE PURSUIT OF HAPPYNESS and THE WEATHER MAN. As a director he's too caustic and straight-faced to be his generation's Frank Capra, but maybe that just reflects the more complex times. THE PROMOTION captures an America in regression, a land where once-certain futures are suddenly up for grabs, and the film's cagey shifts from improv-style comedy to personal drama keep one guessing all the way to the finish line. Sporting a fetching Scots accent as Richard's better half, the diminutive Lili Taylor (I SHOT ANDY WARHOL, THE ADDICTION) steals what scenes she can. The usually extroverted Scott gets props for playing his emotional cards close to the vest this time, but can't match Reilly for hangdog goofball timing. [More]
Starring: John C. Reilly, Seann William Scott, Jenna Fischer, Lili Taylor
Starring: John C. Reilly, Seann William Scott, Jenna Fischer, Lili Taylor, Fred Armisen, Gil Bellows, Bobby Cannavale, Rick Gonzalez, Chris Conrad
Director: Steve Conrad
Director: Steve Conrad
Screenwriter: Steve Conrad
Producer: Steven A. Jones, Jessika Borsiczky Goyer
Composer: Alex Wurman
Studio: Weinstein Company
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Release:
Sep 2, 2008
Reviews for The Promotion
The portrayal of employment in America is too close for comfort. Or comedy...Not the stuff of lighthearted summer comedy.
A nice little comedy about what it takes to climb the corporate ladder and the toll such actions take on the psyche of a decent individual.
A nasty-hearted little film, and in absolutely the worst way for a film to be nasty: it is absolutely convinced of its own warm spirit.
The Promotion skates out onto that thin ice of comedic subtlety. Like its characters, it's not terribly successful, but it's an admirable effort all the same.
bills itself as a comedy, and elements of it do fall into that category, but at its core, this is an incisive and often merciless deconstruction of the American Dream
The Promotion, beyond what's a deeper screenplay than some may give it credit for, is consistently funny in a build-up-and-release way that, much like The Weather Man, supplements those one-liners with uncomfortable behavior and a comedy of manners.
Reilly and Scott richly mine their characters, alternately confiding in and undermining each other. Their vulnerability and yearning for the good life is a quiet but powerful statement that will stay with you long after the closing credits.
"The Promotion" needs some career counseling to figure out just what it really wants to be.
Not that there aren't some great laughs, but this is far from the laugh-a-minute yuck-fest some might expect.
It's one of those off-balance movies that seems searching for the right tone.
This notable, Chicago-filmed comedy was inspired by the true events of director Steve Conrad seeing a store employee at a Chicago chain armed only with a yellow courtesy vest break up some unruly loiterers in the parking lot.
Despite its gimmicky-sounding premise, The Promotion is, like most of Conrad’s work, less concerned with matters of winning or losing than with man’s sometimes noble, sometimes deplorable, often futile attempts to distinguish himself from the herd.
A smart, understated comedy about two assistant supermarket managers making a bid for the one big promotion they both desperately need.
The acting, not Steve Conrad's bland writing and uneven pacing, drives this low-key, mildly amusing, occasionally insightful workplace satire.
By going easy on everyone, [director Conrad] turns what could have been a searing satire into a lukewarm comedy.
Although pacing and rhythm of some scenes are wildly uneven, this is a respectable debut behind the camera and a smart independent comedy that needs strong marketing to find the kind of savvy audience willing to give this odd duck a fighting chance.
The strangely paced drama/comedy never finds much of a groove. Elements of conventional madcap comedy butt against more indie-ready scenes of relationship dysfunction, and the end result is more frustrating than interesting.
Latest News for The Promotion
May 25, 2008:
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