The Promotion tries for the dry, low-key vibe of Election, but its humor is not so much dry as evaporated.
The Promotion (2008)
Tomatometer
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Reviews Counted:74
Fresh:39
Rotten:35
Average Rating:5.7/10
Consensus: With a workplace-related theme worthy of satire, The Promotion features some sharp witticisms but ultimately disappoints.
Rated: R [See Full Rating] for language including sexual references, and some drug use.
Runtime: 86 mins
Genre: Comedies
Theatrical Release:Jun 6, 2008 Limited
Box Office: $362,531
Synopsis: THE PROMOTION is a low-key, deader than deadpan comedy-drama that fans of THE OFFICE should love. The film stars Sean William Scott (AMERICAN PIE) and John C. Reilly (TALLADEGA NIGHTS) as assistant... THE PROMOTION is a low-key, deader than deadpan comedy-drama that fans of THE OFFICE should love. The film stars Sean William Scott (AMERICAN PIE) and John C. Reilly (TALLADEGA NIGHTS) as assistant managers dueling for the same promotion within their Chicago-area grocery chain. Doug (Scott) is initially so sure the job is his that he takes all sorts of financial risks to impress his wife (Jenna Fischer); Richard (Reilly) is a transfer from Canada with an addiction to self-help tapes, plus a druggie biker past he needs to keep under wraps as the interview process heats up and the undercutting begins. Writer-director Steve Conrad continues exploring his fascination with how average Americans measure themselves and fight for their slice of the pie, a study he began in his acclaimed screenplays for THE PURSUIT OF HAPPYNESS and THE WEATHER MAN. As a director he's too caustic and straight-faced to be his generation's Frank Capra, but maybe that just reflects the more complex times. THE PROMOTION captures an America in regression, a land where once-certain futures are suddenly up for grabs, and the film's cagey shifts from improv-style comedy to personal drama keep one guessing all the way to the finish line. Sporting a fetching Scots accent as Richard's better half, the diminutive Lili Taylor (I SHOT ANDY WARHOL, THE ADDICTION) steals what scenes she can. The usually extroverted Scott gets props for playing his emotional cards close to the vest this time, but can't match Reilly for hangdog goofball timing. [More]
Starring: John C. Reilly, Seann William Scott, Jenna Fischer, Lili Taylor
Starring: John C. Reilly, Seann William Scott, Jenna Fischer, Lili Taylor, Fred Armisen, Gil Bellows, Bobby Cannavale, Rick Gonzalez, Chris Conrad
Director: Steve Conrad
Director: Steve Conrad
Screenwriter: Steve Conrad
Producer: Steven A. Jones, Jessika Borsiczky Goyer
Composer: Alex Wurman
Studio: Weinstein Company
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Release:
Sep 2, 2008
Reviews for The Promotion
The directorial debut of Pursuit of Happyness writer Steve Conrad, The Promotion carries a deadpan corporate-absurd whiff of Office Space but never quite scans.
Screenwriter Steve Conrad's (The Pursuit of Happyness) directorial debut is too strait-laced for the Knocked Up set and too offensive for the Will Smith crowd.
The strangely paced drama/comedy never finds much of a groove. Elements of conventional madcap comedy butt against more indie-ready scenes of relationship dysfunction, and the end result is more frustrating than interesting.
Reilly and Scott richly mine their characters, alternately confiding in and undermining each other. Their vulnerability and yearning for the good life is a quiet but powerful statement that will stay with you long after the closing credits.
The Promotion has more work-life truth in it than a month of The Office or Dilbert.
[Director] Conrad seems to have used whatever clout he got from The Pursuit of Happyness to fund something personal and sincere -- a story that's ultimately about victories of character and suppressing your worst impulses.
The acting, not Steve Conrad's bland writing and uneven pacing, drives this low-key, mildly amusing, occasionally insightful workplace satire.
The Promotion skates out onto that thin ice of comedic subtlety. Like its characters, it's not terribly successful, but it's an admirable effort all the same.
A nasty-hearted little film, and in absolutely the worst way for a film to be nasty: it is absolutely convinced of its own warm spirit.
The Promotion uses the structure of a workplace comedy to pose gentle moral and ethical questions about treating people right (or wrong), about honor and ambition, truth-telling and back-stabbing.
The portrayal of employment in America is too close for comfort. Or comedy...Not the stuff of lighthearted summer comedy.
Director Steve Conrad probably counts on the natural likability of Scott and Reilly to make this comedy go down a little easier, but it doesn't always do the trick.
As a subtle expression of masculine angst, it's the timid flipside of Fight Club. As a gentle critique of the American dream's descent into empty consumerism, it's a less cutesy, less feminist Little Miss Sunshine.
So laid-back that it barely registers, despite starring two guys who haven't exactly been shrinking violets in previous outings.
"The Promotion" needs some career counseling to figure out just what it really wants to be.
A confident and clever character study about the commonality of dreams from the boardroom to the bag boy.
Latest News for The Promotion
May 25, 2008:
Trailer & Poster review ![]()
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