There's real biblical tragedy, and redemption, in Spielmann's fine, sad, suspenseful film.

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Revanche (2009)
Tomatometer
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Reviews Counted:19
Fresh:18
Rotten:1
Average Rating:7.5/10
Consensus: With Revanche, Götz Spielmann has crafted a debut as surprising as it is suspenseful.
Theatrical Release:May 1, 2009 Limited
Synopsis: At once a gripping thriller and a tragic drama of nearly Greek proportions, Revanche is the stunning, Oscar–nominated, international breakthrough film from Austrian filmmaker Götz Spielmann. In a... At once a gripping thriller and a tragic drama of nearly Greek proportions, Revanche is the stunning, Oscar–nominated, international breakthrough film from Austrian filmmaker Götz Spielmann. In a ragged section of Vienna, hardened ex-con Alex (the mesmerizing Johannes Krisch) works as an assistant in a brothel, where he falls for Ukrainian hooker Tamara (Irina Potapenko). Their desperate plans for escape unexpectedly intersect with the lives of a rural cop (Andreas Lust) and his seemingly content wife (Ursula Strauss). With meticulous, elegant direction, Spielmann creates a tense, existential, and surprising portrait of vengeance and redemption, and a journey into the darkest forest of human nature, in which violence and beauty exist side by side. --© Janus Films [More]
Starring: Ursula Strauss, Irina Potapenko, Johannes Krisch, Andreas Lust
Starring: Ursula Strauss, Irina Potapenko, Johannes Krisch, Andreas Lust
Director: Götz Spielmann
Director: Götz Spielmann
Screenwriter: Götz Spielmann
Studio: Janus Films
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Reviews for Revanche
A film of carefully strained pulp and rigorously controlled intrigue, the Austrian revenge drama Revanche, which is really about the dividing line between vengeance and forgiveness, belongs to a neo-noir universe where all the classical genre laws apply.
Writer-director Gotz Spielmann (Antares) avoids the clutter and manipulation of most thrillers, escalating tension almost solely through the characters' turbulent emotions.
Revanche involves a rare coming together of a male's criminal nature and a female's deep needs, entwined with a first-rate thriller.
The performers do terrifically understated work. Even in a scene of angry, anguished coupling, silence and stillness persist.
This cool, tense Austrian thriller follows a Ukrainian hooker and her petty criminal boyfriend as they try to escape their dead-end lives.
Revanche is an extraordinary film, mythic in feeling, about an ex-con who falls in love with a prostitute and how their lives intertwine fatefully with that of a policeman and his wife.
The uniformly crackerjack cast keeps things electric, yet always believable, even when behaving in ways that are shocking.
As long as Revanche focuses on the relationship between Tamara (Irina Potapenko), an indentured Ukrainian prostitute, and Alex (Johannes Krisch), the ex-con gofer and would-be tough guy who wants to help her escape, it's riveting.
The title means 'revenge', but that's a deliberate simplification; Mr. Spielmann's film is full of surprises and, in its distinctive way, full of life.
The coincidences might be too much for some, but viewers who can get past them will be treated to a suspenseful, well-acted, crisply photographed character study.
A tidy, glum thriller that aims for a tone of sour humanism, perched just on the near edge of cynical despair.
There's a moral beauty in the movie's consideration of violence and vengeance.
Directed with terrific control and economy of means by Spielmann -- a film and theater vet who has had only one previous movie distributed in the U.S. -- Revanche gets its hooks into you early and leaves them there/
One of the most compelling assemblages of character studies I have seen so far in this too-often-dismal year of moviegoing.
Revanche, a recent Austrian entry in the foreign film Oscar race, is both shocking in its starkness and subtle in its low seethe of dangerous intent.
All actors turn in fine, naturalistic perfs, but it would be remiss not to remark on 83-year-old Thanheiser's profoundly moving turn as the grandfather.
With the rudiments of a crime thriller and the makings of a psychological suspense, the drawn-out unfolding of events encourages expectations of a smarter twist or more impressive ending.
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