Sin Nombre (2008)
Average Rating: 7.4/10
Reviews Counted: 115
Fresh: 102 | Rotten: 13
Part harrowing immigration tale, part gangster story, this debut by writer/director Cary Fukunaga is sensitive, insightful and deeply authentic.
Average Rating: 7.7/10
Critic Reviews: 33
Fresh: 30 | Rotten: 3
Part harrowing immigration tale, part gangster story, this debut by writer/director Cary Fukunaga is sensitive, insightful and deeply authentic.
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Average Rating: 4/5
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Movie Info
Student Academy Award winner Cary Joji Fukunaga makes his feature directorial debut with this epic dramatic thriller following a Honduran teenager who reunites with her long-estranged father and attempts to emigrate to America with him in order to start a new life. Inspired by the director's firsthand experience with Central American immigrants, Sin Nombre opens to find dejected teenager Sayra (Paulina Gaitan) biding her time in Honduras while dreaming of a brighter future. Upon reuniting with
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Cast
-
Paulina Gaitan
Sayra -
Edgar Flores
Willy -
Kristyan Ferrer
Smiley -
Tenoch Huerta Mejía
Lil' Mago -
Diana Garcia
Martha Marlene -
Hector Jimenez
Leche -
Luis Fernando Pena
El Sol
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All Critics (116) | Top Critics (33) | Fresh (103) | Rotten (13) | DVD (4)
It's a tribute to the visceral impact of the staging that the film retains its grip despite becoming somewhat predictable, while thematically it's the usual cycle-of-violence hand wringing.
The actors, particularly Flores, have a documentary reality about them. Their reactions to most of their predicaments, even the ones given away too easily by the script, are real in the most human sense.
Sin Nombre is pure filmmaking: a great story told in beautiful images.
Intense Spanish-language feature debut intrigues but doesn't quite gel.
Brutal, wrenching and filled with desperation and meanness, Sin Nombre signals a major new talent in writer-director Cary Fukunaga, who never flinches while telling a story so grim and sad it moves beyond tears to numbness.
This is a stunning feature debut for director Cary Fukunaga. The story borrows from road movies and crime thrillers, but the scenes and situations vibrate with authenticity.
Fukunaga wastes no time with laborious explanations for his characters' motives.
It's a drama, a romance and a thriller, but make no mistake - Sin Nombre pulls no punches in delivery a raw, powerful film that shrugs aside genre convention.
Spellbinding and nailbiting at the same time, "Sin Nombre?s" climax chillingly evokes the fable of the rabbit crossing the river on the crocodile?s back. Even amid such fleeting hope, its bone-deep fragility proved impossible to shake.
full review at Movies for the Masses
The gangster part of the movie is riddled with cliches, but strikes gold with its depiction of immigrants on a train headed north. An excellent debut by a Japanese-American director.
Cary Fukunaga makes a strong impression with his debut feature, a visually rich Spanish-language thriller which borrows the conventions of the western and applies them to a world of gang brotherhoods and travelling immigrants in Mexico.
An epic and stunningly shot thriller about two young people crossing the gauntlet of Central America in their attempt to get to the USA.
Basically a manipulative thriller with social-commentary aspirations
Captivatingly naturalistic performances and cinematography almost makes up for the lack of a larger political framework.
Sin Nombre is a spry, humane account of the hardships encountered on the Mexican immigration trail, whose violence never feels exploitative, for all that it may be hard to watch. Highly recommended.
For all its formal élan and gritty location shooting, Sin Nombre is a wearily hollow, morally specious movie.
If you've ever got your hands on a second-hand set of Operation, you'll know how it feels to watch the latest addition to the slum drama stable. Most parts are present and correct, but there's definitely something missing - a heart, perhaps?
Likely to be one of the must-see foreign language titles of the year, opening our eyes to a world of desperation, hope and pain.
It's a tough watch. It's also one of the best films of the year.
It's the scenes of immigrants heading north atop moving trains which resonate the most - a testament to Adriano Goldman's brilliant, expansive cinematography.
The rules of the gang are spurious enough to make us realise that this isn't a world of good against evil, it's a world of adolescents who've got no reason to grow up.
There is enough freshness in the documentary-style observation to make up for any lack of imagination in the storyline.
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