Mashes up the tale of the arduous journey across borders with the developing world gangster drama, offering a fresh and convincing spin on both.
Sin Nombre (2009)
Tomatometer
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Reviews Counted:99
Fresh:87
Rotten:12
Average Rating:7.3/10
Consensus: Part harrowing immigration tale, part gangster story, this debut by writer/director Cary Fukunaga is sensitive, insightful and deeply authentic.
Theatrical Release:Mar 20, 2009 Limited
Box Office: $2,436,392
Synopsis:
Sin Nombre, world-premiering at the 2009 Sundance Film Festival, is an epic dramatic thriller written and directed by Student Academy Award winner Cary Joji Fukunaga in his feature debut. The...
Sin Nombre, world-premiering at the 2009 Sundance Film Festival, is an epic dramatic thriller written and directed by Student Academy Award winner Cary Joji Fukunaga in his feature debut. The filmmaker's firsthand experiences with Central American immigrants seeking the promise of the U.S. form the basis of the Spanish-language movie.
Sin Nombre tells the story of Sayra (Paulina Gaitan), a teenager living in Honduras, and hungering for a brighter future. A reunion with her long-estranged father gives Sayra her only real option -- emigrating with her father and her uncle into Mexico and then the United States, where her father now has a new family.
Meanwhile, Casper, a.k.a. Willy (Edgar Flores), is a teenager living in Tapachula, Mexico, and facing an uncertain future. A member of the Mara Salvatrucha gang brotherhood, he has just brought to the Mara a new recruit, 12-year-old Smiley (Kristyan Ferrer), who undergoes a rough initiation.
While Smiley quickly takes to gang life, Casper tries to protect his relationship with girlfriend Martha Marlene (Diana Garcia), keeping their love a secret from the Mara. But when Martha encounters Tapachula's Mara leader Lil' Mago (Tenoch Huerta Mejia), she is brutally taken from Casper forever.
Sayra and her relatives manage to cross over into Mexico. There, they join other immigrants waiting at the Tapachula train yards. When a States-bound freight train arrives one night, they successfully rush to board -- riding atop it, rather than in the cars -- as does Lil' Mago, who has commandeered Casper and Smiley along to rob immigrants.
When day breaks, Lil' Mago makes his move and Casper in turn makes a fateful decision. Casper must now navigate the psychological gauntlet of his violent existence and the physical one of the unforgiving Mara, but Sayra bravely allies herself with him as the train journeys through the Mexican countryside towards the hope of new lives.
A Focus Features presentation of a Primary Productions/Canana production. Sin Nombre. Paulina Gaitan, Edgar Flores, Kristyan Ferrer, Tenoch Huerta Mejia, Diana Garcia, Luis Fernando Pena, and Hector Jimenez. Casting by Carla Hool, C.S.A. Music by Marcelo Zarvos. Music Supervisor, Lynn Fainchtein. Costume Designer, Leticia Palacios. Editors, Luis Carballar and Craig McKay, A.C.E. Production Designer, Claudio "Pache" Contreras. Director of Photography, Adriano Goldman. Executive Producers, Gerardo Barrera, Pablo Cruz, Diego Luna, Gael Garcia Bernal. Produced by Amy Kaufman. Written and Directed by Cary Joji Fukunaga. A Focus Features Release. --© Focus Features
Starring: Edgar Flores, Paulina Gaitan, Kristyan Ferrer, Tenoch Huerta Mejia
Starring: Edgar Flores, Paulina Gaitan, Kristyan Ferrer, Tenoch Huerta Mejia, Diana Garcia, Luis Fernando Peña, Hector Jiminez
Director: Cary Fukunaga
Director: Cary Fukunaga
Screenwriter: Cary Fukunaga
Producer: Amy Kaufman
Studio: Focus Features
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Reviews for Sin Nombre
Imagine City of God without the zippy camerawork or Slumdog Millionaire without the millionaire and you get the feel of Sin Nombre.
Sin Nombre is at once subtle and intense, familiar but refreshing, intimate even as it tells a story untold numbers have endured.
The combination of professional actors and locals is effective and adds to the unique telling of this immigrant story.
Despite the unevenness of the ride, however, the memory of Sin Nombre is indelible.
Fukunaga paints better outside the lines, working with cinematographer Adriano Goldman to offer vivid shots of the poverty and despair cutting through Latin America.
It's the tone of the movie's two sides -- action and stillness, graphic violence and romantic melodrama -- that don't cohere.
Fukunaga's intentions may be honorable, but films like Sin Nombre exploit their subjects as much as they empathize with them.
It is a movie about the wages of sin that come back to claim their own, indifferent to redemption, especially a redemption bathed in blood.
A confident, raw feature film that continually surprises and repeatedly devastates. Sin Nombre is an outstanding motion picture.
It's a documentary-style look at the harrowing journey illegal immigrants take to get into this country, but it's also a tightly plotted thriller.
Sin Nombre is a spry, humane account of the hardships encountered on the Mexican immigration trail, whose violence never feels exploitative, for all that it may be hard to watch. Highly recommended.
Writer-director Cary Fukunaga keeps the story lean while peppering it with realistic details.
It contains risk, violence, a little romance, even fleeting moments of humor, but most of all, it sees what danger and heartbreak are involved. It is riveting from start to finish.
As accomplished as Sin Nombre is in many ways, you’re always aware of the ever-tightening plot screws, rather than the human beings caught in one threatening situation after another.
[Director] Fukunaga has a fine, spacious film sense and a gift for action, but the doomy, heavy-handed plot devices and overwrought, overacted gangland set pieces betray a novice's hand.
Basically a manipulative thriller with social-commentary aspirations
"Sin Nombre" is a convincing verite-styled drama that pulls you into its dangerous universe of desperation and immediacy.
Fukunaga (who was raised in Oakland, California lives in Brooklyn) uses natural-looking locations and non-professional actors like a pro.
Latest News for Sin Nombre
October 22, 2009:
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March 19, 2009:
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February 15, 2009:
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