This is a vivid portrait of the landscape of the Americas, picking apart every step of the migrant's journey
Sin Nombre (2009)
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Reviews Counted:100
Fresh:88
Rotten:12
Average Rating:7.3/10
Consensus: Part harrowing immigration tale, part gangster story, this debut by writer/director Cary Fukunaga is sensitive, insightful and deeply authentic.
Theatrical Release:Mar 20, 2009 Limited
Box Office: $2,436,392
Synopsis:
Sin Nombre, world-premiering at the 2009 Sundance Film Festival, is an epic dramatic thriller written and directed by Student Academy Award winner Cary Joji Fukunaga in his feature debut. The...
Sin Nombre, world-premiering at the 2009 Sundance Film Festival, is an epic dramatic thriller written and directed by Student Academy Award winner Cary Joji Fukunaga in his feature debut. The filmmaker's firsthand experiences with Central American immigrants seeking the promise of the U.S. form the basis of the Spanish-language movie.
Sin Nombre tells the story of Sayra (Paulina Gaitan), a teenager living in Honduras, and hungering for a brighter future. A reunion with her long-estranged father gives Sayra her only real option -- emigrating with her father and her uncle into Mexico and then the United States, where her father now has a new family.
Meanwhile, Casper, a.k.a. Willy (Edgar Flores), is a teenager living in Tapachula, Mexico, and facing an uncertain future. A member of the Mara Salvatrucha gang brotherhood, he has just brought to the Mara a new recruit, 12-year-old Smiley (Kristyan Ferrer), who undergoes a rough initiation.
While Smiley quickly takes to gang life, Casper tries to protect his relationship with girlfriend Martha Marlene (Diana Garcia), keeping their love a secret from the Mara. But when Martha encounters Tapachula's Mara leader Lil' Mago (Tenoch Huerta Mejia), she is brutally taken from Casper forever.
Sayra and her relatives manage to cross over into Mexico. There, they join other immigrants waiting at the Tapachula train yards. When a States-bound freight train arrives one night, they successfully rush to board -- riding atop it, rather than in the cars -- as does Lil' Mago, who has commandeered Casper and Smiley along to rob immigrants.
When day breaks, Lil' Mago makes his move and Casper in turn makes a fateful decision. Casper must now navigate the psychological gauntlet of his violent existence and the physical one of the unforgiving Mara, but Sayra bravely allies herself with him as the train journeys through the Mexican countryside towards the hope of new lives.
A Focus Features presentation of a Primary Productions/Canana production. Sin Nombre. Paulina Gaitan, Edgar Flores, Kristyan Ferrer, Tenoch Huerta Mejia, Diana Garcia, Luis Fernando Pena, and Hector Jimenez. Casting by Carla Hool, C.S.A. Music by Marcelo Zarvos. Music Supervisor, Lynn Fainchtein. Costume Designer, Leticia Palacios. Editors, Luis Carballar and Craig McKay, A.C.E. Production Designer, Claudio "Pache" Contreras. Director of Photography, Adriano Goldman. Executive Producers, Gerardo Barrera, Pablo Cruz, Diego Luna, Gael Garcia Bernal. Produced by Amy Kaufman. Written and Directed by Cary Joji Fukunaga. A Focus Features Release. --© Focus Features
Starring: Edgar Flores, Paulina Gaitan, Kristyan Ferrer, Tenoch Huerta Mejia
Starring: Edgar Flores, Paulina Gaitan, Kristyan Ferrer, Tenoch Huerta Mejia, Diana Garcia, Luis Fernando Peņa, Hector Jiminez
Director: Cary Fukunaga
Director: Cary Fukunaga
Screenwriter: Cary Fukunaga
Producer: Amy Kaufman
Studio: Focus Features
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Reviews for Sin Nombre
The movie, which has both bloody violence and tender romance, will remind you of "City of God" meets "Under the Same Moon." It is another shining example of the best that independent filmmaking has to offer, much like last year's "Frozen River."
What makes it unique among films that cover similar subject matter is the restrained acting and richness of its visual sense.
While this Mexican import is treading familiar territory, first time writer/director Cary Fukunaga comes at it with fresh eyes.
[Director Fukunaga] spends as little time dwelling on the whole as possible, instead opting for a classic road-trip story of the parts: the people who are emigrating and the gang members trying to kill one of them.
A confident, raw feature film that continually surprises and repeatedly devastates. Sin Nombre is an outstanding motion picture.
The actors, particularly Flores, have a documentary reality about them. Their reactions to most of their predicaments, even the ones given away too easily by the script, are real in the most human sense.
I only wish Fukunaga was as good a writer as he is a director -- but as this is his debut feature, I'll cut some slack on that score.
It's a documentary-style look at the harrowing journey illegal immigrants take to get into this country, but it's also a tightly plotted thriller.
Sin Nombre is pure filmmaking: a great story told in beautiful images.
Fukunaga paints better outside the lines, working with cinematographer Adriano Goldman to offer vivid shots of the poverty and despair cutting through Latin America.
Sayra and her family are the poor, huddled masses our founders were talking about, and it's painfully bracing to watch them crushed beneath the promise of a stocked cupboard and living wage.
Imagine City of God without the zippy camerawork or Slumdog Millionaire without the millionaire and you get the feel of Sin Nombre.
This sense of equilibrium even carries over to Fukunagas crafty integration of professional and nonpro actors.
Fukunaga's intentions may be honorable, but films like Sin Nombre exploit their subjects as much as they empathize with them.
Sin Nombre marks an impressive feature-film debut for Cary Joji Fukunaga, albeit more as a director than a writer.
Above all, Fukunaga has great respect for his characters and their story.
Latest News for Sin Nombre
October 22, 2009:
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Cary Fukunaga ("Sin Nombre") is in talks to direct a new version of "Jane Eyre" that will "play up the gothic elements" of the Charlotte Bronte classic. More...
March 19, 2009:
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February 15, 2009:
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