Brutal, wrenching and filled with desperation and meanness, Sin Nombre signals a major new talent in writer-director Cary Fukunaga, who never flinches while telling a story so grim and sad it moves beyond tears to numbness.
Sin Nombre (2009)
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Reviews Counted:99
Fresh:87
Rotten:12
Average Rating:7.3/10
Consensus: Part harrowing immigration tale, part gangster story, this debut by writer/director Cary Fukunaga is sensitive, insightful and deeply authentic.
Theatrical Release:Mar 20, 2009 Limited
Box Office: $2,436,392
Synopsis:
Sin Nombre, world-premiering at the 2009 Sundance Film Festival, is an epic dramatic thriller written and directed by Student Academy Award winner Cary Joji Fukunaga in his feature debut. The...
Sin Nombre, world-premiering at the 2009 Sundance Film Festival, is an epic dramatic thriller written and directed by Student Academy Award winner Cary Joji Fukunaga in his feature debut. The filmmaker's firsthand experiences with Central American immigrants seeking the promise of the U.S. form the basis of the Spanish-language movie.
Sin Nombre tells the story of Sayra (Paulina Gaitan), a teenager living in Honduras, and hungering for a brighter future. A reunion with her long-estranged father gives Sayra her only real option -- emigrating with her father and her uncle into Mexico and then the United States, where her father now has a new family.
Meanwhile, Casper, a.k.a. Willy (Edgar Flores), is a teenager living in Tapachula, Mexico, and facing an uncertain future. A member of the Mara Salvatrucha gang brotherhood, he has just brought to the Mara a new recruit, 12-year-old Smiley (Kristyan Ferrer), who undergoes a rough initiation.
While Smiley quickly takes to gang life, Casper tries to protect his relationship with girlfriend Martha Marlene (Diana Garcia), keeping their love a secret from the Mara. But when Martha encounters Tapachula's Mara leader Lil' Mago (Tenoch Huerta Mejia), she is brutally taken from Casper forever.
Sayra and her relatives manage to cross over into Mexico. There, they join other immigrants waiting at the Tapachula train yards. When a States-bound freight train arrives one night, they successfully rush to board -- riding atop it, rather than in the cars -- as does Lil' Mago, who has commandeered Casper and Smiley along to rob immigrants.
When day breaks, Lil' Mago makes his move and Casper in turn makes a fateful decision. Casper must now navigate the psychological gauntlet of his violent existence and the physical one of the unforgiving Mara, but Sayra bravely allies herself with him as the train journeys through the Mexican countryside towards the hope of new lives.
A Focus Features presentation of a Primary Productions/Canana production. Sin Nombre. Paulina Gaitan, Edgar Flores, Kristyan Ferrer, Tenoch Huerta Mejia, Diana Garcia, Luis Fernando Pena, and Hector Jimenez. Casting by Carla Hool, C.S.A. Music by Marcelo Zarvos. Music Supervisor, Lynn Fainchtein. Costume Designer, Leticia Palacios. Editors, Luis Carballar and Craig McKay, A.C.E. Production Designer, Claudio "Pache" Contreras. Director of Photography, Adriano Goldman. Executive Producers, Gerardo Barrera, Pablo Cruz, Diego Luna, Gael Garcia Bernal. Produced by Amy Kaufman. Written and Directed by Cary Joji Fukunaga. A Focus Features Release. --© Focus Features
Starring: Edgar Flores, Paulina Gaitan, Kristyan Ferrer, Tenoch Huerta Mejia
Starring: Edgar Flores, Paulina Gaitan, Kristyan Ferrer, Tenoch Huerta Mejia, Diana Garcia, Luis Fernando Peņa, Hector Jiminez
Director: Cary Fukunaga
Director: Cary Fukunaga
Screenwriter: Cary Fukunaga
Producer: Amy Kaufman
Studio: Focus Features
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Reviews for Sin Nombre
You might think you know where these characters are going, and how the various plot threads will be tied up. But you'd be wrong.
A very southern modern Western, the Spanish-language Sin Nombre offers a treacherous frontier, a conflicted outlaw and fine performances by actors with whom the camera clearly is besotted.
The film's beauty, which is meant to suggest the dreams of the characters, is another crucial aspect of Sin Nombre's complexity.
Despite the unevenness of the ride, however, the memory of Sin Nombre is indelible.
This is a stunning feature debut for director Cary Fukunaga. The story borrows from road movies and crime thrillers, but the scenes and situations vibrate with authenticity.
It gives a caravan of migrants human faces, compelling motivations and dramatic challenges that transcend borders.
Sin Nombre is at once subtle and intense, familiar but refreshing, intimate even as it tells a story untold numbers have endured.
Cary Fukunaga makes an impressive feature directing debut with the lacerating immigration tale Sin Nombre.
The compositions (even in grimy cities) and use of color are wonderful, the kind of thing that can only arise with the assistance of a wonderful art director.
Rich details make the immigration thriller Sin Nombre vivid and haunting.
As accomplished as Sin Nombre is in many ways, youre always aware of the ever-tightening plot screws, rather than the human beings caught in one threatening situation after another.
Tragic and gripping, Cary Fukunaga's Sin Nombre revitalizes a gang-warfare genre that had appeared to be played out lately.
[Director] Fukunaga's startlingly impressive first feature is almost ruthless in its depiction of the brutality and degradation confronting the hidden hordes that cross rivers and hop trains trying to get to the United States.
Fukunaga seems more capable than most at setting up truly intimate moments; whether it's canoodling in bed or a warm exchange of a burrito between strangers. And it all happens on the decks of one of cinema's most enduring symbols.
Fukunaga expertly shapes a variety of elements -- gangland thriller, immigration drama, social commentary -- into a rich, compelling story about redemption.
One can only imagine what life must really be like for these heavily tattooed killers, who hold a baby in one hand and take a life with the other.
There are no wasted scenes or superfluous dialogue in "Sin Nombre", just hard-hitting drama that has the feel of total credibility.
Latest News for Sin Nombre
October 22, 2009:
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March 19, 2009:
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February 15, 2009:
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