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Take

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Take (2008)

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Reviews Counted:27

Fresh:12

Rotten:15

Average Rating:5.1/10

Consensus: A story of redemption held together with flashbacks, Take has moments of emotional intensity, but is ultimately undone by preachiness.

Rated: R [See Full Rating] for some violent and disturbing content.

Genre: Dramas

Theatrical Release:Jul 18, 2008 Limited

Synopsis: Take occurs over two days – one day in the present and one day in the past. In the present, Ana drives through the desert to witness the execution of the man who has dominated her life for the... Take occurs over two days – one day in the present and one day in the past.

In the present, Ana drives through the desert to witness the execution of the man who has dominated her life for the past seven years, the man she has never spoken to. Saul, with his priest, waits out the final hours of his life. Each must grapple with what their lives have become since the day their paths crossed so many years ago.

In the past, Ana discovers that her seven-year old son, Jesse, has been kicked out of school. Unless she can find a night shift and home-school him, she will be forced to put Jesse in special-ed. Determined to save him from being lost in a world where he doesn't belong, Ana attempts to restore order to their lives.

On that same day, Saul is in a desperate fight against time to pay off his gambling debt and care for his ailing father. Forced to take on a precarious assignment for quick cash, he is faced with one struggle after another until he finds himself staring down a fateful moment of decision.

When Ana and Saul cross paths, it only takes an instant for their lives to be tragically connected. It is not until the present day, when Ana arrives at the prison to face the man who destroyed her life, that both Ana and Saul discover who they are and how far the soul will go to survive. --© Official Site
[More]

Starring: Minnie Driver, Jeremy Renner, Bobby Coleman, David Denman

Starring: Minnie Driver, Jeremy Renner, Bobby Coleman, David Denman, Adam Rodriguez, Bill McKinney, Emily Harrison

Director: Charles Oliver

Director: Charles Oliver
Screenwriter: Charles Oliver
Studio: Liberation Entertainment

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Reviews for Take

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1 - 20 (sorted by critic A-Z)
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Take is too enamored of its time-shifting gimmick and cheap suspense to ultimately have much impact.

Full Review Source: Los Angeles Times | comment Comment
07/25/08
Robert Abele
Robert Abele
Los Angeles Times
Top Critic Icon Top Critic

Dramatically, however, Take consistently works, and, with such a story, that's an amazing thing.

Full Review Source: Newsday | comment Comment
07/18/08
John Anderson
John Anderson
Newsday
Top Critic Icon Top Critic

A dreadfully misguided movie whose story of redemption is utterly irredeemable.

Full Review Source: Austin Chronicle | comment Comment
08/15/08
Marjorie Baumgarten
Marjorie Baumgarten
Austin Chronicle

Resides in the same lives-intersect-through-tragedy wheelhouse as 21 Grams and Monster's Ball, without those films' romantic underpinnings or powerhouse performances.

Full Review Source: Metromix.com | comment Comment
07/24/08
Geoff Berkshire
Geoff Berkshire
Metromix.com

As a formal exercise in pent-up and unleashed emotion, Take is intense and difficult to watch.

Full Review Source: Filmcritic.com | comment Comment
07/17/08
Paul Brenner
Paul Brenner
Filmcritic.com

Take suffers from story overload, which is distracting.

Full Review Source: Boxoffice Magazine | comment Comment
07/24/08
Tim Cogshell
Tim Cogshell
Boxoffice Magazine

Oliver's film manages to grapple with some knotty questions about justice, even if it is not nearly as bold or ironic as Lee Chang-dong's "Secret Sunshine"

Full Review Source: indieWIRE | comment Comment
08/13/08
Leo Goldsmith
Leo Goldsmith
indieWIRE

Oliver wants to defend restorative justice, but his interest in this form of victim-offender mediation registers only as an afterthought.

Full Review Source: Village Voice | comment Comment
07/16/08
Ed Gonzalez
Ed Gonzalez
Village Voice
Top Critic Icon Top Critic

A heartfelt plea for penal reform.

Full Review Source: Compuserve | comment Comment
07/13/08
Harvey S. Karten
Harvey S. Karten
Compuserve

Refreshingly ambitious and thoughtfully constructed.

Full Review Source: Time Out New York | comment Comment
07/16/08
Joshua Land
Joshua Land
Time Out New York

If there is anything the cinema needed less than another angst-ridden, cross-cutting tragedy about crime, fate, memory and redemption, it�s the kind shot in an ugly monochromatic palette like Take.

Full Review Source: New York Times | comment Comment
07/18/08
Nathan Lee
Nathan Lee
New York Times
Top Critic Icon Top Critic

A frantic mother and a desperate criminal cross paths with devastating results in first-time writer and director Charles Oliver's emotionally charged drama.

Full Review Source: TV Guide's Movie Guide | comment Comment
07/18/08
Maitland McDonagh
Maitland McDonagh
TV Guide's Movie Guide

It's like a full-length public service announcement.

Full Review Source: New York Daily News | comment Comment
07/18/08
Joe Neumaier
Joe Neumaier
New York Daily News
Top Critic Icon Top Critic

This melodrama about capital punishment has no shades of gray, only beige.

Full Review Source: I.E. Weekly | comment Comment
07/24/08
Amy Nicholson
Amy Nicholson
I.E. Weekly

While Take has a few moments of eye-rolling absurdity, the film has a way of slithering under your skin and staying there.

Full Review Source: New York Press | comment Comment
07/16/08
Mark Peikert
Mark Peikert
New York Press

Clean but adult-themed movie that takes an intense look at extreme forgiveness and restorative justice.

Full Review Source: Deseret News, Salt Lake City | comment Comment
08/13/08
Genelle Pugmire
Genelle Pugmire
Deseret News, Salt Lake City

Obscured by ugly, dark photography, a jumbled script, mumbled performances, and clueless direction that make it impossible to see or hear a lot of what’s going on even if you cared, the result is a film of monumental incompetence.

Full Review Source: New York Observer | comment Comment
07/23/08
Rex Reed
Rex Reed
New York Observer
Top Critic Icon Top Critic

Oliver's climactic twist merely nullifies any engagement with the characters' prior plights.

Full Review Source: Slant Magazine | comment Comment
07/14/08
Nick Schager
Nick Schager
Slant Magazine

Stylistically as well as thematically complex.

Full Review Source: Hollywood Reporter | comment Comment
08/13/08
Frank Scheck
Frank Scheck
Hollywood Reporter
Top Critic Icon Top Critic

The talky redemption element, however, ultimately feels artificially tacked on.

Full Review Source: Variety | comment Comment
08/13/08
Ronnie Scheib
Ronnie Scheib
Variety
Top Critic Icon Top Critic
 
 
1 - 20 (sorted by critic A-Z)
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