Take (2008)
Tomatometer
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Reviews Counted:27
Fresh:12
Rotten:15
Average Rating:5.1/10
Consensus: A story of redemption held together with flashbacks, Take has moments of emotional intensity, but is ultimately undone by preachiness.
Rated: R [See Full Rating] for some violent and disturbing content.
Genre: Dramas
Theatrical Release:Jul 18, 2008 Limited
Synopsis:
Take occurs over two days – one day in the present and one day in the past.
In the present, Ana drives through the desert to witness the execution of the man who has dominated her life for the...
Take occurs over two days – one day in the present and one day in the past.
In the present, Ana drives through the desert to witness the execution of the man who has dominated her life for the past seven years, the man she has never spoken to. Saul, with his priest, waits out the final hours of his life. Each must grapple with what their lives have become since the day their paths crossed so many years ago.
In the past, Ana discovers that her seven-year old son, Jesse, has been kicked out of school. Unless she can find a night shift and home-school him, she will be forced to put Jesse in special-ed. Determined to save him from being lost in a world where he doesn't belong, Ana attempts to restore order to their lives.
On that same day, Saul is in a desperate fight against time to pay off his gambling debt and care for his ailing father. Forced to take on a precarious assignment for quick cash, he is faced with one struggle after another until he finds himself staring down a fateful moment of decision.
When Ana and Saul cross paths, it only takes an instant for their lives to be tragically connected. It is not until the present day, when Ana arrives at the prison to face the man who destroyed her life, that both Ana and Saul discover who they are and how far the soul will go to survive. --© Official Site
[More]
Starring: Minnie Driver, Jeremy Renner, Bobby Coleman, David Denman
Starring: Minnie Driver, Jeremy Renner, Bobby Coleman, David Denman, Adam Rodriguez, Bill McKinney, Emily Harrison
Director: Charles Oliver
Director: Charles Oliver
Screenwriter: Charles Oliver
Studio: Liberation Entertainment
Reviews for Take
| Tomatometer | Critic | Review | Category |
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This sullen dramatic thriller is introspective to the point of being navel-gazing. And its up-to-interpretation form of 'conclusion' is fairly pretentious. Full Review |
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It's close but no cigar for first time writer/director Charles Oliver as he bashes his unfortunate audience with a preachy and one-dimensional exposition of revenge wearing restoration clothing. Full Review |
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A dreadfully misguided movie whose story of redemption is utterly irredeemable. Full Review |
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Clean but adult-themed movie that takes an intense look at extreme forgiveness and restorative justice. Full Review |
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The talky redemption element, however, ultimately feels artificially tacked on. Full Review |
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This is an uneven directorial debut -- but not an unaccomplished one. Oliver is a name to look out for -- it would be great to see what would happen if he worked with someone else's script. Full Review |
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Stylistically as well as thematically complex. Full Review |
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Oliver's film manages to grapple with some knotty questions about justice, even if it is not nearly as bold or ironic as Lee Chang-dong's "Secret Sunshine" Full Review |
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Take is too enamored of its time-shifting gimmick and cheap suspense to ultimately have much impact. Full Review |
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Charles Oliver's directing debut, Take, unfolds in sun-baked Southwestern locations, but it's a dreary affair all the same. Full Review |
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This melodrama about capital punishment has no shades of gray, only beige. Full Review |
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Resides in the same lives-intersect-through-tragedy wheelhouse as 21 Grams and Monster's Ball, without those films' romantic underpinnings or powerhouse performances. Full Review |
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Take suffers from story overload, which is distracting. Full Review |
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Obscured by ugly, dark photography, a jumbled script, mumbled performances, and clueless direction that make it impossible to see or hear a lot of what’s going on even if you cared, the result is a film of monumental incompetence. Full Review |
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A frantic mother and a desperate criminal cross paths with devastating results in first-time writer and director Charles Oliver's emotionally charged drama. Full Review |
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Dramatically, however, Take consistently works, and, with such a story, that's an amazing thing. Full Review |
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A woefully earnest indie about a crime and its aftermath. Full Review |
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It's like a full-length public service announcement. Full Review |
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If there is anything the cinema needed less than another angst-ridden, cross-cutting tragedy about crime, fate, memory and redemption, it�s the kind shot in an ugly monochromatic palette like Take. Full Review |
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As a formal exercise in pent-up and unleashed emotion, Take is intense and difficult to watch. Full Review |
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