Despite the fact that The Doorman features dozens of cameos by real-life boldface names, the film itself is a mess.
The Doorman (2008)
Tomatometer
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Reviews Counted:18
Fresh:5
Rotten:13
Average Rating:4.1/10
Rated: Not Rated
Genre: Comedies
Theatrical Release:Jul 18, 2008 Limited
Synopsis:
A documentary film crew has set out to make an insiders guide to the
nightlife of New York, inspired by a chance Fashion Week meeting with it's
most powerful nightclub doorman, Trevor W. Trevor...
A documentary film crew has set out to make an insiders guide to the
nightlife of New York, inspired by a chance Fashion Week meeting with it's
most powerful nightclub doorman, Trevor W. Trevor will "star" in the doc, his
idea being to show this crew (and the world that knows and loves him) the
serious business involved with holding such an esteemed position of power.
His life will be followed not only while on duty at the club, but also during his
jet-set jaunts across the country working private events, and in his more
personal daily life, which includes selecting the latest high fashions with a
personal shopper, yoga class, and visiting his adoptive grandma for Sunday
brunch.
As shooting unfolds, the crew begins to suspect that perhaps their star
doesnt hold the power he claims. Mild investigation reveals that he indeed
lost his job. Everyone seems to be aware of this fact - except for Trevor
himself. Treading lightly around the sensitive subject, the crew is forced to
deal with Trevor disappearing and a rival doormans attempt to steal the
spotlight, before finally confronting Trevor with a dose of reality.
Now Trevor will have to look for a new job - something that is at his level,
something he can be happy with. But what, exactly, is on the level of a man
used to being on top?
The Doorman, in the end, is an insiders guide to a character we all may
know and love (to hate) - the larger-than-life big shot who lacks awareness
that he is, indeed, a human being. Trevor W. may have held the power over
many important people. But what is a doorman without a door? --© Gigantic Pictures
[More]
Starring: Lucas Akoskin, Peter Bogdanovich
Starring: Lucas Akoskin, Peter Bogdanovich
Director: Wayne Price
Director: Wayne Price
Screenwriter: Lucas Akoskin, Wayne Price
Studio: Gigantic Pictures
Reviews for The Doorman
"The Doorman" is a thinly written indie comedy--it's only 79 minutes long--that will have you kicking yourself for wasting whatever time and money you spent to watch it.
It's not enough to have an English-language-mangling actor bumble improvisationally among real people: You need structure, and situations crafted enough to escalate mild amusement toward hilarity.
The influences for this poorly-made mock documentary are fairly obvious and if Lucas Akoskin was even 1/10th as funny as Sacha Baron Cohen, this movie might have worked.
Built on an amusing idea that can't quite support an entire movie, Wayne Price's comedic debut might have made a terrific short.
Those of us in the movie audience may find little to cheer in a vehicle that falls short of entertainment.
Slip this mockumentary into the “Not Worthy of Theatrical Release” file.
Exclusionary velvet-rope culture cant be satirized enough, but woe be to secondhand Sacha Baron Cohens who dont seem clear on the concept of mockumentary.
With such an unconvincing center, all the air-kissing and second-hand glamour in the world can't make the film's mock-doc conceit hold.
Not until the goofy closing credits does the film hit its tonal stride and nail what could have been its saving, salient theme: the absurd lines that fancy people draw (and obey) to make themselves feel special on a Saturday night.
Conjuring up memories of happier experiences gone by is the prime means of enduring such across-the-board ineptitude.
A mockumentary about the people who run Manhattan nightlife, has solid-gold satire at its cocaine-stained fingertips.
[Director] Price keeps the humor believably shallow and the movie from getting too far from the aim of chronicling an exclusivity junkie's fall.
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| Tomatometer Percentage | Movie | Date |
|---|---|---|
| 90% 90% | The White Ribbon | 12/30 |
| 100% 100% | Daybreakers | 1/8 |
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| | The Book of Eli | 1/15 |
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