Average Rating: 4.9/10
Reviews Counted: 12
Fresh: 3 | Rotten: 9
No consensus yet.
Average Rating: 5.5/10
Critic Reviews: 8
Fresh: 3 | Rotten: 5
No consensus yet.
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Average Rating: 3.3/5
User Ratings: 758
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Two men meet and fall in love under the least joyous of circumstances in this low-key drama from writer and director Yen Tan. Jeff (Adam Neal Smith) has been close friends with Mark most of his life, so when Mark unexpectedly dies, Jeff volunteers to clear out Mark's apartment and tie up the loose ends of his personal business. While examining Mark's correspondence, Jeff learns that he had been exchanging flirtatious e-mails for some time with Andrea (Alessandro Calza), an Internet designer from
Dec 5, 2008 Limited
Mar 23, 2010
Regent Releasing/here! Films
All Critics (13) | Top Critics (8) | Fresh (3) | Rotten (9)
In Yen Tan's glacially paced movie (every shot is relentlessly symmetrical), the actors are squares in graph-paper compositions.
Yen Tan's Ciao is a revelation, a minimalist work of maximum effect. It is determinedly understated and consistently expressive, beautifully composed yet never studied.
It's made on the smallest of budgets and features awkward if sincere performances, yet Yen Tan's film still manages to strike a series of plangent emotional truths about speaking one's heart and moving on.
Ciao moves at a snail's pace. It feels long even at its abbreviated length.
The story is so minimal that it almost doesn't exist.
Deeply sincere and exceedingly slow even at 87 minutes, Ciao involves two strangers who become acquaintances after the death of a mutual friend.
In theory, there's no reason a movie shouldn't endeavor to be somber and tentatively hopeful at the same time. In practice, unfortunately, Ciao is depressing and ploddingly elegiac.
The plotline of 'Ciao' is trite -- and the filmmaking itself drags.
It's hard to shake the feeling that the onscreen words stick too close to the facts: The dialogue drags, making the viewer like an invisible third wheel at a nervous, slightly dull first date.
The ever-static camera undercuts the poignantly understated performances with the egotism of a futon ad photographer who fancies Ozu.
A little overly artsy and not so interesting. I was disappointed.
December 5, 2008Super Reviewer
Tonights movie...the critics were harsh on it for moving slow, but i thought it was entirely appropriate for the pace given the gravity of the plot...tragically losing your best friend and unrequited love, but having to move on. I feel better for watching it.
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