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Ciao (2008)
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Reviews Counted:12
Fresh:4
Rotten:8
Average Rating:5/10
Theatrical Release:Dec 5, 2008 Limited
Synopsis: A man dies very unexpectedly and leaves behind two men: Jeff, his best friend and Andrea, an Italian he’s been corresponding with online. Jeff informs Andrea of Mark’s passing; Andrea writes back... A man dies very unexpectedly and leaves behind two men: Jeff, his best friend and Andrea, an Italian he’s been corresponding with online. Jeff informs Andrea of Mark’s passing; Andrea writes back to express his shock and sympathies. On a whim, they continue their correspondence and a rapport grows between them. They eventually meet, where they extend their e-mail exchanges into more personal and intimate conversations. They talk about their respective countries, their jobs, their families, their lives. Mostly, they talk about Mark. What began as a tragedy that linked two strangers from different ends of the world becomes a deeply realized friendship that may change their lives forever.--© Regent Releasing [More]
Starring: Adam Neal Smith, Alessandro Calza, Charles W. Baum, Ethel Lung
Starring: Adam Neal Smith, Alessandro Calza, Charles W. Baum, Ethel Lung
Director: Yen Tan
Director: Yen Tan
Screenwriter: Yen Tan, Alessandro Calza
Producer: Jim McMahon
Composer: Stephan Altman
Studio: Regent Releasing
Reviews for Ciao
In Yen Tan's glacially paced movie (every shot is relentlessly symmetrical), the actors are squares in graph-paper compositions.
Yen Tan's Ciao is a revelation, a minimalist work of maximum effect. It is determinedly understated and consistently expressive, beautifully composed yet never studied.
It's made on the smallest of budgets and features awkward if sincere performances, yet Yen Tan's film still manages to strike a series of plangent emotional truths about speaking one's heart and moving on.
Ciao moves at a snail's pace. It feels long even at its abbreviated length.
In theory, there's no reason a movie shouldn't endeavor to be somber and tentatively hopeful at the same time. In practice, unfortunately, Ciao is depressing and ploddingly elegiac.
Deeply sincere and exceedingly slow even at 87 minutes, Ciao involves two strangers who become acquaintances after the death of a mutual friend.
It’s hard to shake the feeling that the onscreen words stick too close to the facts: The dialogue drags, making the viewer like an invisible third wheel at a nervous, slightly dull first date.
The film's calculatingly minimalist style is in many ways as affected as all the gay Amerindie films at which writer-director Yen Tan snottily thumbs his nose.
Helmer/co-scripter Tan conceives of his two characters as complementing each other within a minor key.
Latest News for Ciao
December 15, 2008:
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