Average Rating: 5.4/10
Reviews Counted: 25
Fresh: 10 | Rotten: 15
It boasts an interesting cast, and the music remains unimpeachable, but this Chess Records biopic suffers from a workmanlike script -- as well as comparisons to its recent predecessor, Cadillac Records.
Average Rating: 5.2/10
Critic Reviews: 9
Fresh: 2 | Rotten: 7
It boasts an interesting cast, and the music remains unimpeachable, but this Chess Records biopic suffers from a workmanlike script -- as well as comparisons to its recent predecessor, Cadillac Records.
liked it
Average Rating: 3.2/5
User Ratings: 106
The life story of legendary record producer Leonard Chess, founder of Chess Records, the label that helped popularize Blues music during the 1950s and '60s
Apr 9, 2010 Wide
International Film Circuit
All Critics (25) | Top Critics (9) | Fresh (10) | Rotten (15)
It was muscled out of the marketplace by Cadillac Records, Sony's glossy, star-studded movie about Leonard. But it's clearly the better movie, earthier, wittier, and more intimate in its treatment of America's racial divide in the 1950s.
I think more edge is needed, more reality about the racial situation at the time, more insight into how and why R&B and rock 'n' roll actually did forever transform societies in America and the world.
In the end, the most striking thing about Leonard is that he never seems to stop smoking.
It's the terrific music and amusing array of characters that keep the picture afloat.
If you're really interested in Chess Records, why go to this film at all when you could be at home actually listening to Chess records?
Has neither the star power nor the epic sense of itself that infused Cadillac Records, the 2008 film on the same subject.
Crackles with the sense of discovering genius that's ready to be heard and distributed.
Isn't the blues supposed to be cathartic and rock 'n' roll liberating? Recording maestro Chess is too tense and grim, and there are few joyous musical moments.
An engaging portrait of the man behind the artists.
Less than two years after the so-so "Cadillac Records," here comes "Who Do You Love," which is so-so in different ways.
Zaks finds the life in every scene, even the more clichéd ones...it feels like a celebration of a seminal musical moment, for all its flaws.
Recreated performances backing the more than nostalgic music of the era are worth the ticket, but the rest is more borscht than history.
In short: we see the Chess Records story simplified and telegraphed. But at least the cast doesn't act as though they're mired in the biopic muck.
Another behind-the-scenes look at the formation and success of Chess Records in Chicago during the 1950s and 1960s.
In Who Do You Love? everything that Chess Records has come to symbolize about pop culture, race relations or the blues transitioning into rock 'n' roll gets flattened. It perceives American history in reverse.
Well-made, terrifically acted biopic about the Chicago Chess Brothers and their legendary Chess label and artists who propelled blues into a new genre called rock 'n' roll. A cornucopia of great music, though some cinematic notes are off-key.
Too bad this flick lost the race to the theaters with Cadillac Records, otherwise director Jerry Zaks might've had a hit on his hands instead of a Johnny Come Lately destined to be forever thought of as a cheap imitation.
Granted, this life-and-times adaptation doesn't rely on celebrity stunt-casting, but it also lacks any of the heat, heart or soul associated with the music Chess released.
Loved Cadillac Records, would like to see this movie featuring Bo Diddley
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