Average Rating: 4.6/10
Reviews Counted: 81
Fresh: 30 | Rotten: 51
This overly quirky, incessantly whimsical indie is too self-conscious for its own good.
Average Rating: 4.8/10
Critic Reviews: 17
Fresh: 5 | Rotten: 12
This overly quirky, incessantly whimsical indie is too self-conscious for its own good.
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Average Rating: 2.7/5
User Ratings: 96,364
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There Will Be Blood's Paul Dano stars as Brian, an unhappy mattress salesman whose infatuation with Happy (Zooey Deschanel), one of his attractive customers, temporarily pushes aside his obsession with adopting a Chinese baby in this unconventional romantic comedy from director Matt Aselton. John Goodman, Ed Asner, and Jane Alexander co-star in the Killer Films production. ~ Jeremy Wheeler, Rovi
Apr 3, 2009 Wide
Aug 11, 2009
First Independent Pictures
All Critics (82) | Top Critics (17) | Fresh (32) | Rotten (51) | DVD (5)
The characters are richly layered and well acted. John Goodman is a standout as Deschanel's dad, a rich blowhard with a sweet candy center.
Gigantic plays like a Sundance movie with half the nouns removed; fetchingly cryptic for a while, it's ultimately just obscure.
One of those indies that seems to be trying to top the quirkiness quotient of Juno.
Aselton's reason for making this movie is easy to discern -- he wants to be a filmmaker. But coming up with a reason for watching this movie is more of a challenge.
First-time feature director Matt Aselton, who co-wrote the darkly funny, well-observed script with Adam Nagata, has crafted a disarming tale that's one of the better independent films in recent memory.
Anyone can go off and just cynically make a bad movie, but to make a picture as inert, incompetent and emotionally fraudulent as Gigantic takes sincere faith that one is, in fact, making something really, really good.
Occasionally rises above its limitations. The operative word is "occasionally."
Romance and comedy are deftly balanced in an observation of the beautiful but strange
Credit Dano and Deschanel for generating sufficient chemistry to make the movie worthwhile despite the oft-distracting Kabuki dances dominating the backdrop.
Gigantic is best appreciated for its kooky cast chemistry. But the story like the lure of those plump orthopedic mattresses in stock, is essentially a painless snooze.
More like 'bloated.'
This determinedly nonsensical American indie feels like it was assembled in an off-world quirk factory.
Not quite this year's hip little indie romantic comedy that could, as it clearly aspires to be, but smart-ish and drily funny while overly littered with twitches and tweaks.
'Gigantic' is a film that succeeds by wearing the viewer down, as an infuriatingly coy, self-conscious first act gives way to a sweet and affecting climax.
The kind of mumbling, lank-haired, achingly self-conscious indie rom-com that gives mumbling, lank-haired, achingly self-conscious indie rom-coms a bad name.
It's slyly misogynistic, dramatically inert, and wastes an intriguing boorish cameo from John Goodman.
This film is entirely empty: empty of substance, devoid of plausible characters, and without anything like a satisfying style.
Here the characters drive everything - they're quirky without being annoying, funny without being clownish and odd but realistic. As funny and interesting as it is, however, the film raises more question than it answers.
It's very hard not to get sucked in to the charm of this movie. Dano and Deschanel play their parts to perfection, exuding just the right amount of awkwardness and insecurity to bring the story to life.
Everything that happens slots neatly into the art house template - wacky leads, wackier supporting players, coy alt-rock soundtrack - but director Matt Aselton doesn't know when to stop.
Taking his cue from his leading man's minimalist, self-effacing performance, director and co-writer Matt Aselton has fashioned a wry homage to eccentricity.
Yet there's an echo of Hal Ashby, or even Hal Hartley, in the subversion of easy truisms about relationships, and its primary note - mild anxiety - may make it a cult favourite.
By the end, I was thoroughly alienated by the movie's twee, self-satisfied empty-headedness and rooting for the homeless man to do his worst.
When it comes to family and relationships, there are no small surprises Good movie. This movie was really mellow and slow but it was kinda good. Paul Dano is evolving as a very good actor and I can't help but to like Zooey's weird funny acting roles including this one. Good story and easy to follow.Do we ever get what
August 22, 2009
Super Reviewer
A movie that seems to want to make a political or humanistic statement but over-quirks itself instead. Brian is quirkily shy; Happy is quirkily fucked-up (she even says so herself, and that always pisses me off in movies). Obviously, they should have sex. I dig the actors, and they're quite darling and sympathetic
June 5, 2011Super Reviewer
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