The film seduces us into this world with such affection and beauty.
Departures (2009)
Tomatometer
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Reviews Counted:77
Fresh:62
Rotten:15
Average Rating:7/10
Consensus: If slow and predictable, Departures is a quiet, life affirming story.
Rated: Not Rated
Genre: Foreign Films
Theatrical Release:May 28, 2009 Limited
Box Office: $1,279,245
Synopsis:
Nominated for an Academy Award® for Best Foreign Language Film, Departures is a delightful journey into the heartland of Japan as well an astonishingly beautiful look at a sacred part of Japan's...
Nominated for an Academy Award® for Best Foreign Language Film, Departures is a delightful journey into the heartland of Japan as well an astonishingly beautiful look at a sacred part of Japan's cultural heritage.
Departures follows Daigo Kobayashi (Masahiro Motoki), a devoted cellist in an orchestra that has just been dissolved and who is suddenly left without a job. Daigo decides to move back to his old hometown with his wife to look for work and start over. He answers a classified ad entitled Departures thinking it is an advertisement for a travel agency only to discover that the job is actually for a "Nokanshi" or "encoffineer," a funeral professional who prepares deceased bodies for burial and entry into the next life. While his wife and others despise the job, Daigo takes a certain pride in his work and begins to perfect the art of “Nokanshi,” acting as a gentle gatekeeper between life and death, between the departed and the family of the departed. The film follows his profound and sometimes comical journey with death as he uncovers the wonder, joy and meaning of life and living.
--© Regent Releasing
Starring: Masahiro Motoki, Tsutomu Yamazaki, Ryoko Hirosue, Kazuko Yoshiyuki
Starring: Masahiro Motoki, Tsutomu Yamazaki, Ryoko Hirosue, Kazuko Yoshiyuki, Yo Kimiko
Director: Yojiro Takita
Director: Yojiro Takita
Screenwriter: Kundo Koyama
Studio: Regent Releasing
Reviews for Departures
Overlong, predictable in its plotting and utterly banal in its blending of comic whimsy and melodramatic pathos.
The film has enjoyed tremendous acclaim but I hesitate to recommend it unreservedly. Better to lower your expectations and discover those elements that touch you most deeply without waiting for the film to deliver something that it doesn't really promise
Yojiro Takita has crafted a rich, memorable and thoroughly unconventional film that celebrates finding your own particular place in a world full of surprising opportunities.
Director Yojiro Takita uses the changing seasons to echo the characters' moods; the score by Joe Hisaishi (Spirited Away, Howl's Moving Castle) has a suitably majestic sweep.
The ultimate beauty of the film rests in its symbolic details that bridge the abyss between the living and the dead. As the French might say, it is to make one cry.
A tremendously moving experience filled with warmth, wisdom, intelligence and tenderness sprinkled with just the right dash of humor to balance the heaviness and keeps you thoroughly enthralled.
Departures is a film steeped in warmth, tenderness and genuine conflict.
Takita is blessed with actors who move lightly, gracefully within this landscape.
The winning nature of the performances outweighs Takita's more obvious choices.
Multiplexes are crowded with noisy summer films, from which Departures will represent a sophisticated and elegant departure.
It's far too long, too self-conscious of its dramatic intentions, and too emotionally distant.
Yojiro Takita's movie simultaneously tickles tears of mourning as it wrings laughs about the meaning of life.
Too long by a solid 30 minutes and riddled with clichés of every creed and color
The creepiest aspect of Departures -- dead people -- ends up being what's most beautiful about it.
Though events unravel predictably, the film is profoundly affecting, thanks to a well-written story, rich characters and superlative acting.
"Departures" is a brilliantly written and performed story that transcends its themes of ritualized catharsis to bring the audience to a fresh understanding of man's need to make peace with the deceased.
One of the most shameless examples of emotional manipulation I've seen -- and one of the most effective.
Departures is a great film and, yes, you're going to need your reading glasses -- this one is subtitled.
Latest News for Departures
May 28, 2009:
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This week at the movies, we've got a high-flying house (Up, with voice work by Ed Asner and Christopher Plummer) and a demonic curse (Drag Me to Hell, starring Alison Lohman and... More...
April 19, 2009:
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January 13, 2009:
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The Academy has narrowed its choices for this year's recipient of the Best Foreign Language Film Award, choosing its favorite nine releases from a field of 65. More...
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