The sweeping music and bucolic landscape serve to heap on the emotion to Takita's already heavy-handed manipulation.
Departures (2009)
Tomatometer
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Reviews Counted:77
Fresh:62
Rotten:15
Average Rating:7/10
Consensus: If slow and predictable, Departures is a quiet, life affirming story.
Rated: Not Rated
Genre: Foreign Films
Theatrical Release:May 28, 2009 Limited
Box Office: $1,279,245
Synopsis:
Nominated for an Academy Award® for Best Foreign Language Film, Departures is a delightful journey into the heartland of Japan as well an astonishingly beautiful look at a sacred part of Japan's...
Nominated for an Academy Award® for Best Foreign Language Film, Departures is a delightful journey into the heartland of Japan as well an astonishingly beautiful look at a sacred part of Japan's cultural heritage.
Departures follows Daigo Kobayashi (Masahiro Motoki), a devoted cellist in an orchestra that has just been dissolved and who is suddenly left without a job. Daigo decides to move back to his old hometown with his wife to look for work and start over. He answers a classified ad entitled Departures thinking it is an advertisement for a travel agency only to discover that the job is actually for a "Nokanshi" or "encoffineer," a funeral professional who prepares deceased bodies for burial and entry into the next life. While his wife and others despise the job, Daigo takes a certain pride in his work and begins to perfect the art of “Nokanshi,” acting as a gentle gatekeeper between life and death, between the departed and the family of the departed. The film follows his profound and sometimes comical journey with death as he uncovers the wonder, joy and meaning of life and living.
--© Regent Releasing
Starring: Masahiro Motoki, Tsutomu Yamazaki, Ryoko Hirosue, Kazuko Yoshiyuki
Starring: Masahiro Motoki, Tsutomu Yamazaki, Ryoko Hirosue, Kazuko Yoshiyuki, Yo Kimiko
Director: Yojiro Takita
Director: Yojiro Takita
Screenwriter: Kundo Koyama
Studio: Regent Releasing
Reviews for Departures
The winning nature of the performances outweighs Takita's more obvious choices.
Departures is a film steeped in warmth, tenderness and genuine conflict.
The film seduces us into this world with such affection and beauty.
Beautifully acted and classically filmed, Departures is a gentle, wise, immensely appealing film.
The film's tone lies, appropriately, somewhere between life, death, and the inadvertent humor that comes from finally accepting the yin/yang perfection of both and getting on with what comes between.
Here’s a great way to start savoring life: Don’t waste it on pat manipulations like this.
This is the kind of tastefully poignant drama that asks its audience to confront taboos and then pats them on the back for doing so.
From a critical standpoint Departures doesn’t warrant altering itineraries to see.
Director Yojiro Takita uses the changing seasons to echo the characters' moods; the score by Joe Hisaishi (Spirited Away, Howl's Moving Castle) has a suitably majestic sweep.
The plot involves some developments we can see coming, but they seem natural, inevitable. The music is lush and sentimental in a subdued way, the cinematography is perfectly framed and evocative, and the movie is uncommonly absorbing.
It is, I'm afraid, unlikely to reflect much glory on the Oscar nomination process and the voters in general.
"Departures" is a brilliantly written and performed story that transcends its themes of ritualized catharsis to bring the audience to a fresh understanding of man's need to make peace with the deceased.
This is truly masterful and glorious filmmaking that's guaranteed a spot in my Top 10 of the year.
Redeems a trite 'redemptive' story about family with hushed, beautifully staged sequences of 'encoffinment'...
An encoffiner works outside the box in this enthralling winner of the Oscar for Best Foreign Picture of 2008.
It is the type of film that needs some time to find its story and its characters. This thoughtful drama is pretty rewarding, though the very deliberate tempo may test the patience of some.
Takita's eccentric film, a serio-comic look at life, death, redemption and forgiveness, is Japan's entry for the Oscars, winning audience awards in festivals, which speak well of its potential commercial appeal outside Japan and Asia.
Latest News for Departures
May 28, 2009:
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This week at the movies, we've got a high-flying house (Up, with voice work by Ed Asner and Christopher Plummer) and a demonic curse (Drag Me to Hell, starring Alison Lohman and... More...
April 19, 2009:
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January 13, 2009:
Academy Names Nine Foreign Film Finalists
The Academy has narrowed its choices for this year's recipient of the Best Foreign Language Film Award, choosing its favorite nine releases from a field of 65. More...
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