An often bland, repetitive and quite nauseating experience.
Memorial Day (2009)
Tomatometer
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Reviews Counted:10
Fresh:1
Rotten:9
Average Rating:3.7/10
Theatrical Release:Feb 4, 2009 Limited
Synopsis: On a wild Memorial Day weekend, young partiers film themselves in ever more compromising positions. As things start to spiral out of control, the story suddenly veers off into an unexpected realm.... On a wild Memorial Day weekend, young partiers film themselves in ever more compromising positions. As things start to spiral out of control, the story suddenly veers off into an unexpected realm. The revelers have changed, and the holiday's over, but still they're determined to keep the cameras rolling, no matter what. The feature directorial debut of noted experimental theater artist Josh Fox and from the producers of Half Nelson, Maria Full of Grace and American Movie, Memorial Day is a shocking tour through a culture whose fascination with exposure and exploitation creates a horrifying new kind of entertainment. [More]
Starring: Sarah Nedwek, Neil Knox, Pedro Rafael Rodriguez, Robert Saietta
Starring: Sarah Nedwek, Neil Knox, Pedro Rafael Rodriguez, Robert Saietta, Nick Konow, Maria McConville
Director: Josh Fox
Reviews for Memorial Day
For all its visceral assaults and improv-ish aesthetics, in the end Memorial Day offers a conventional moral assessment.
Rather than backing up the old chestnut about the banality of evil, Memorial Day does nothing but remind us that cinematic repetition inevitably robs immorality of its impact.
Unpleasant concoction attempting to link soldiers on a drunken, sex-filled holiday beach leave with their horrific, sadistic behavior at an Abu Ghraib-like Iraqi prison is literally nauseating, no thanks to camerawork gone wild.
Back in Iraq, the film's trite, unexamined spectacle of men and women behaving badly proceeds.
Memorial Day sets up the party zone as a moral equivalent to the war zone, hammers that connection home and then stops-content with offering an equation in lieu of an argument
Most of the last hour of Memorial Day feels like a retread at least, and horribly exploitative at worst.
Fox’s directorial debut is a strangely fascinating piece of misguided intentions, a crooked attempt to editorialize on the ugliest aspects of human nature gone awry.
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February 05, 2009:
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