Director Ursula Meier generally distinguishes her feature debut by not pushing elements to melodramatic or farcical extremes.
Home (2009)
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Reviews Counted:17
Fresh:16
Rotten:1
Average Rating:7.2/10
Consensus: Disconcerting and sometimes eerie, this enigmatic French film is an assured directorial debut.
Rated: Not Rated
Genre: Dramas
Theatrical Release:Nov 27, 2009 Limited
Synopsis: In Ursula Meier’s stunning theatrical debut (the official Swiss submission for this year’s Academy Award for Best Foreign Film), a family’s peaceful existence is threatened when a busy highway is... In Ursula Meier’s stunning theatrical debut (the official Swiss submission for this year’s Academy Award for Best Foreign Film), a family’s peaceful existence is threatened when a busy highway is opened right next to their isolated property. As the sounds and fumes of the modern world begin to fill their home, each member of the family (including Isabelle Huppert and Oliver Gourmet, both in tour-de-force performances) finds themselves pushed to dangerous extremes. --© Official Site [More]
Starring: Isabelle Huppert, Olivier Gourmet, Adelaide Leroux
Starring: Isabelle Huppert, Olivier Gourmet, Adelaide Leroux
Director: Ursula Meier
Director: Ursula Meier
Screenwriter: Antoine Jaccoud, Ursula Meier, Olivier Lorelle
Studio: Koch Lorber Films
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Reviews for Home
It's a nightmare metaphor for the horrors of the modern world, but will seem like everyday reality to anyone living around Heathrow or any motorway.
A kind of anti-road movie, the first half is a genial rural snapshot but, when that bypass opens, the wheels come off and things take a turn for the surreal and boring.
A deeply disconcerting provocation about the future of civilisation: a powerfully performed vision of an insignificant humanity.
A first film of laudable ambition and Meier’s directorial confidence suggests promise for the future.
It would have been more effective if Meier had exercised less restraint and allowed her characters to spin out of control.
The acting's superb, the premise intriguing, but it's hard to have sympathy for the heroine's stubbornness.
Sometimes eerie, at other times playful and witty, it explores themes of modernity and primitivism without ever being heavy-handed. And as a portrait of a family under siege, it’s as unsettling as it is sensual.
Prepare for this one to be rattling around the grey matter long after leaving the cinema. An auteur is born.
Ursula Meier’s Home is one of the strangest horror films of recent years, a real get under the skin movie.
Meier handles the tone-shifts with admirable assurance in this sweepingly shot fable.
A moving affair, presenting a family unit in all its messy, loving wonder, and the surreality of the situation escalates inexorably into something quietly horrifying. Beautifully shot and played, Home is something of a gem.
Home is actually less a road movie than the domestic-invasion movie taken to its sick conclusion.
An enigmatic and intriguing little tale with a flavour of the paranoia once found in the Roman Polanski classic Repulsion.
In showing a family's self-destructive intransigence (or is it self-preserving cohesion?), Ursula Meier unravels a modern fable in which the forces of conservatism and change pass each other by.
A very clever and creative film that probes on family solidarity, change, the toxic residues of a car culture, and the physical, psychological and spiritual effects of noise pollution.
Home is finally hopeful in its view of familial bonds holding together as the characters are forced to face the far from idealized world they are inescapably a part of.
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