After a relatively dry beginning, the film builds in passion and intensity until attaining a stirring cumulative power.
Outrage (2009)
Tomatometer
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Reviews Counted:55
Fresh:42
Rotten:13
Average Rating:6.7/10
Consensus: Outrage walks a difficult moral and ethical line -- and not always successfully -- but despite its flaws, it's a fascinating, provocative look at homosexuality in American politics.
Theatrical Release:May 8, 2009 Limited
Box Office: $193,175
Synopsis: With OUTRAGE, provocative documentarian Kirby Dick (THIS FILM IS NOT YET RATED) confronts his most controversial topic yet. In his latest piece of cine-journalism, Dick exposes what he deems to be... With OUTRAGE, provocative documentarian Kirby Dick (THIS FILM IS NOT YET RATED) confronts his most controversial topic yet. In his latest piece of cine-journalism, Dick exposes what he deems to be the rampant, hypocritical homophobia that exists in an American government that is, in fact, teeming with closeted homosexuals. Dick brings an impassioned and well-reasoned eye to his material, which should have viewers on the more conservative side of the fence paying closer attention than they would have had he taken a more blustery approach. As it stands, OUTRAGE is an illuminating, stirring call to arms. Dick interviews the political community’s most prominent gay figures--including former New Jersey governor Jim McGreevey and Congressman Barney Frank--as well as many others (radio DJ Michelangelo Signorile, blogger Michael Rogers, and writer/activist Larry Kramer), who share their own thoughtful insights into just how deeply the personal and political corruption runs. In what is clearly the most controversial aspect of the film, Dick makes a case for the homosexuality of several politicians who continue to deny it (most notably, former Idaho senator Larry Craig and current Florida governor Charlie Crist). But OUTRAGE is by no means a finger-wagging witch-hunt--Dick’s intention is not to ruin the life of anyone. Like McGreevey, who lived through his own personal years of torment, he believes that everyone would be better off if they acknowledged who they are, in public and in private. [More]
Director: Kirby Dick
Director: Kirby Dick
Screenwriter: Kirby Dick
Producer: Amy Ziering
Composer: Peter Golub
Studio: Magnolia Pictures
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Reviews for Outrage
comprised primarily of insinuation, hearsay, and conjecture... Dick ends up taking on the worse attributes of the people he is, quite openly, judging
A well-documented cautionary tale that should spark broader discussion of the integrity of those making our laws, and the larger implications of living a closeted life.
Outrage more than lives up to its title and should spark vociferous debate.
By Republican-bashing on big topics like gay marriage and AIDS-funding, [director Kirby] Dick avoids exploring ideas. Outrage diminishes crucial, non-partisan gay-identity issues of fear, guilt and self-acceptance.
You'd expect a documentary about closeted gay politicians who hide their sexuality behind virulently antigay voting records to be a diatribe. But Kirby Dick's furious, deft, revealing film is humane enough to separate the sinner from the sin.
Outrage isn’t after punitive embarrassment, but the gloves definitely come off.
So far, this is one of the best docs in terms of intelligence and craftsmanship this year.
Dick approaches his subject with little of the self-righteous effrontery of Michael Moore or Bill Maher, instead maintaining a modicum of objective distance and even mustering a certain sympathy for both the accuser and the accused.
One can at least partly embrace the concept that outing pols who torpedo gay rights is defensible and still find Dick's film too frequently a would-be sensationalistic bit of tut-tutting for queer Dems and their politically-connected friends.
Having made This Film Is Not Rated (censorship), Twist of Faith (sexual abuse) and now Outrage (hypocrisy of closeted politicos), it's time to recognize Kirby Sick as a major filmmaker committed to chronicling and fighting socially relevant causes.
The perceptive exploration of the deep-rooted, fundamental problems of a culture preoccupied with the perfect "American" brand provides the heart of Outrage.
Auds, regardless of their politics, will find Kirby Dick's filmentertaining, brisk, visually interesting and perhaps even thrilling.
While never quite managing to be the fully successful onslaught he intends, there is enough here to spark a general debate about the way homosexuality is marginalised thanks to self-deluding and self-serving politicos.
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