Skin (2009)



Critic Consensus: Sophie Okonedo, Sam Neill, and Alice Krige do wonderful work in Skin, delivering performances whose strength is underlined by the incredible real-life events upon which the movie is based.

Movie Info

A dark-skinned girl born to white South African parents attempts to explore her identity in the era of apartheid as her government, her parents, and society as a whole struggle with what it means to be a black child of Caucasian descent in a nation deeply divided by race. The year is 1955. Sandra Laing (Sophie Okonedo) has just been born to a pair of white Afrikaner parents, her brown skin and curly hair the surprising result of genetic throwback. As the government's rigid apartheid system … More

Rating: PG-13 (for thematic material some violence and sexuality)
Genre: Drama, Art House & International, Mystery & Suspense
Directed By:
Written By: Helen Crawley, Helena Kriel, Jessie Keyt
In Theaters:
On DVD: Feb 1, 2011
Elysian Films - Official Site


as Sandra Laing

as Sannie Laing

as Abraham Laing

as Dawie

as Leon Laing

as Bailiff

as Henry Laing (age 10)

as Van Tonder

as Girl in Classroom

as Factory Worker

as Petrus Zwane

as Henry Laing (age 20)

as Young Sandra

as Elsie Laing (age 9)

as Elsie Laing (age 19)

as Van Niekirk

as Dr. Sparks

as Judge Galgut

as Young Thembi

as Nora Molefe

as Jenny Zwane

as Adriaan Laing

as Miss Van Uys

as Miss Ludik

as Boy in Classroom

as Factory Worker 2
Show More Cast

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Critic Reviews for Skin

All Critics (65) | Top Critics (23)

Laing's life, despite its inherent melodrama, does not automatically lend itself to the screen. And without the aid of a smart script or a prevailing sense of delicacy, a movie about her or apartheid risks being a blunt instrument.

Full Review… | January 14, 2010
Boston Globe
Top Critic


Full Review… | December 15, 2009
Chicago Reader
Top Critic

Potent, still relevant and inspiring while maddening, Skin shows some of our best and much of our worst.

Full Review… | December 11, 2009
Detroit News
Top Critic

Every emotion is underscored with sugary music, every narrative plot progression telegraphed with the mechanical structural stiffness of a made-for-TV movie.

Full Review… | December 10, 2009
New York Observer
Top Critic

It feels hurried, looks cheap, and works overtime to simplify a complex, flawed character into a noble, tragic heroine. The film speaks fluent cliché.

Full Review… | November 12, 2009
Minneapolis Star Tribune
Top Critic

This great film by Anthony Fabian tells this story through the eyes of a happy girl who grows into an outsider.

Full Review… | November 12, 2009
Chicago Sun-Times
Top Critic

Audience Reviews for Skin

A true story converted to film usually is bastardised in the process, and while that is true here the strength of the story itself, about how we encourage racial distinctions and the price of that decision, carries this film throughout with a sense of childhood betrayed that stays long after the credits roll. The execution is flawed but the punch loses no power.

Kevin M. Williams

Super Reviewer


Based on a true story. This movie really makes one re-think what they "know", and "believe", about race. This lady's story is truly a sad, and unjust one, and prompted me to research apartheid era racial classification tests, and the life of Sandra Laing. This unusual case really highlights the effects of South Africa's racial classification system. Very interesting story with actual footage at the end of her, and her white family.

Cynthia S.

Super Reviewer


I usually approach docu-dramas cautiously - they can certainly be a mixed bag, where the story usually trumps any attempt at creating art; thankfully Skin, due to the very nature of its story, is so compelling that it transcends the genre.

Telling the story of a 1960's South African girl, born to white Afrikaner parents, Skin shows us apartheid up close and personal, since Sandra, the young girl in question, appears to be "black". The story shows it all, how the government's rigid yet ridiculous determinations of race affect both sides of the equation, leaving Sandra an outcast in both worlds. The story focuses on Sandra as she grows up - from getting tossed from an all white (segregated due to Apartheid) school due to her appearance, to her late teen years as her white parents try to hook her up with suitable white suitors. Ultimately she falls for a black man who seems the only man who can make her smile. When her father finds out he has his own daughter arrested - since doing the horizontal with someone not of your race is considered a moral crime.

What strikes you most, aside from the austere terrain, is how Sandra is a woman with one foot in each world, and yet an outcast in both. By law she cannot marry outside her race, so the children she produces with her black "husband" are considered an affirmation of her lawlessness, and is always aware that the government can step in at any moment and take her children from her. And yet she "looks black" so cannot find a good "white" job, or fit in with white society.

The story is heartbreaking showing not only Sandra's strong character, but how a system can destroy - case in point is the destruction of Sandra's black shanty town; not only do the bulldozers level the place (so white folk can develop the area), but they also destroy the dreams and ultimately the soul of Sandra's man - as well as the formerly loving relationship they had together.

There was no reason for any of this, and yet bigotry still runs rampant, each generation instilling the same fear and apprehension of things we find different from ourselves.

I found the performances profound throughout, especially that of Sophie Okonedo as Sandra and Alice Krieg as her mother, caught in two hells - the one concerning the color of her daughter's skin and a second as a 1960's wife who must meekly obey her husband, though it breaks her heart to do so.

A thought provoking film on so many levels - this should be required viewing for all early teens.

paul sandberg

Super Reviewer

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