In a strong performance, Sophie Okonedo's character decides to stick to her own kind to the disgust of her dad in a sentimental tale played out amid South Africa's racist political system.
Skin (2009)
Tomatometer
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Reviews Counted:47
Fresh:41
Rotten:6
Average Rating:6.8/10
Consensus: Sophie Okonedo, Sam Neill, and Alice Krige do wonderful work in Skin, delivering performances whose strength is underlined by the incredible real-life events upon which the movie is based.
Rated: PG-13 [See Full Rating] for thematic material, some violence and sexuality.
Runtime: 1 hr 47 mins
Genre: Foreign Films
Theatrical Release:Oct 30, 2009 Limited
Synopsis:
Skinis the astonishing true story of Sandra Laing (Sophie Okonedo (Hotel Rwanda/The Secret Life of Bees) & young Ella Ramangwane), a black child born in 1950s South Africa to white Afrikaners (Sam...
Skinis the astonishing true story of Sandra Laing (Sophie Okonedo (Hotel Rwanda/The Secret Life of Bees) & young Ella Ramangwane), a black child born in 1950s South Africa to white Afrikaners (Sam Neill (The Tudors/Jurassic Park) & Alice Krige (Chariots of Fire/Star Trek: First Contact), unaware of their black ancestry. Rural shopkeepers serving the local black community, Sandra’s parents lovingly bring her up as their ‘white’ little girl. At the age of 10, Sandra is sent to an all-white boarding school and confronts the full force of the country's legalized system of racism when she is reclassified by the government as black and expelled from the school. Her parents fight for her to regain white privilege, taking the case all the way to the Supreme Court - and effecting a change in the law, so that she becomes officially white again. But by the time she is a teenager, Sandra knows she will never be accepted by the white community. She falls in love with Petrus, (Tony Kgoroge - Blood Diamond/Hotel Rwanda), a black vegetable seller, and they elope together. Furious and broken-hearted, Sandra's father disowns her. Now she must live her life, for the first time, as a black woman in South Africa. Discovering a new culture and community brings confusion but also joy for Sandra while she still yearns for reunion with her family.
Skin tells a fascinating story of betrayal and triumph with grace and simplicity raising the question of whether the labels “black” and “white” have any real meaning beyond that which society imposes. Sandra’s determined fight for her basic freedoms and her parents’ love is identifiable for all thanks to a radiant performance by Sophie Okonedo. Alice Krige, born and raised in Apartheid South Africa, is unforgettable as the mother torn between her husband’s rage and her daughter’s needs. Sam Neal provides another strong, empathic performance as the troubled head of the household. --© Jour de Fette Films
Starring: Sophie Okonedo, Sam Neill, Alice Krige
Starring: Sophie Okonedo, Sam Neill, Alice Krige
Director: Anthony Fabian
Director: Anthony Fabian
Screenwriter: Helen Crawley
Story: Anthony Fabian
Studio: Jour De Fete Films
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Reviews for Skin
The direction is never more than conventional, with a tear-inducing finale better suited to a TV soap opera.
Very watchable in places with moving performances but not as brave or indepth as you want it to be.
The early scenes are slightly stiff, and the acting uncertain, but this story of estrangement is sufficiently remarkable in itself.
In a day when it's difficult to say something new about the racial divide, Sandy's story has a poignant power as it underscores just how deeply the fissures run even when it's all in the family.
Great performances and a smart decision to avoid melodrama make Skin worth seeing but it's the small things that hold it back from being truly great.
As told by director Anthony Fabian, Skin is both exasperatingly choppy and exceptionally moving.
By the end, the incredulity stems not from the fact that this happened but that the wider world didn't know about it before now.
An admirably understated central performance from Sophie Okenedo, supported by a fine cast, gives a human face to this true-life race relations drama, which never over-simplifies in favour of easy emotional wins.
Given the subject matter, I wish there were more outrage and passion in Skin, which plods from one huge event to another.
A powerful story. However, there were no DNA tests in 1955. I have never heard of a 'genetic abnormality' creating a child who looks distinctly black -- Maury Povich would probably say, 'You are not the father!'
"Skin" is an Apartheid-era drama made with conviction and perspective by a promising filmmaker.
It feels hurried, looks cheap, and works overtime to simplify a complex, flawed character into a noble, tragic heroine. The film speaks fluent cliché.
Skin is one of those worthy and watchable dramas that are un-demanding and a bit underwhelming. It should leave you with a big lump in your throat, but it’s strangely unemotional.
The linear A-to-B storyline gives the film a TV movie feel, with an overdose of melodrama not helping matters.
You could hardly call this a timely film but it does remind us of the evils of racism and the misery it causes.
The film's excellent screenplay and extraordinary acting trio of Okonedo, Neill and Krige bring a little-known historical episode to vivid life.
Latest News for Skin
October 31, 2009:
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October 29, 2009:
Critics Consensus: This Is It Is Certified Fresh
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