Its beauty and sadness are simply overwhelming. Anglo-Irish cinema gets a new, fully-formed identity.
Helen (2008)
Tomatometer
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Reviews Counted:16
Fresh:12
Rotten:4
Average Rating:5.8/10
Consensus: This enigmatic debut British/Irish feature is beautifully photographed and has an intriguing premise, marking its makers out as talent to watch.
Genre: Dramas
Starring: Annie Townsend
Starring: Annie Townsend
Director: Joe Lawlor, Christine Molloy
Director: Joe Lawlor
Screenwriter: Joe Lawlor
Producer: Joe Lawlor
Director: Christine Molloy
Screenwriter: Christine Molloy
Producer: Christine Molloy
Reviews for Helen
Given its harrowing theme, Helen is a beautiful and restrained work. The camera quietly and slowly glides along Helen’s world, laying bare the loneliness of a marginalised girl who is longing to find a life of her own.
Helen is an ambitious film, at once gripping and meditative, that touches with intelligence.
Much like an ambitious video-art installation, it’s intriguing, inconclusive and not as challenging as it wants to be.
You couldn’t call this audacious British debut a success; it’s too arch, awkward and over-extended for that. But, oddly, it’s those very same qualities which make it arresting to watch and which mark out its two directors as talents to keep an eye on.
With its unusual blending of the formal and the mysterious, the intimate and the impressionistic, Helen is a film of quiet but deadly power.
A moody British/Irish co-production, Helen is beautifully photographed and blessed with a wistfully atmospheric score, but it’s a little bit creaky in some of the performances.
The final sequence, in which the directors boldly refuse any neat tying-up of their story, is bracingly intelligent. Lawlor and Molloy are real talents with a distinctive, if evolving, film-making language of their own.
Molloy and Lawlor’s film, arrestingly well-composed and sound-designed, has a woozy suggestiveness that’s nothing if not promising.
Mannered and over-contrived, it’s a waste of a good idea despite the best efforts of Birkeland, whose elegant framing and rich composition allow the viewer to overlook the sheer joylessness of the piece.
It’s an intriguing premise – but this debut feature from short filmmakers Christine Molloy and Joe Lawlor never gets up to speed. It feels like a first draft, with some painfully stilted dialogue.
Just as the story grips you it ends, leaving you mystified beyond the call of the enigmatic plot.
It's a neat idea, of one life "standing-in" for another and starting afresh, but badly handled. It's a glum 79 minutes.
It is a plain and simple story which is told so directly and with such a lack of obvious sophistication that it finally triumphs beyond all expectation.
Ultimately, Helen doesn't quite work, but it remains an oddly haunting experience that's definitely worth seeing. Terrific final line, too.
| Tomatometer Percentage | Movie | Date |
|---|---|---|
| 82% 82% | The Princess and the Frog | 12/11 |
| 83% 83% | A Single Man | 12/11 |
| 64% 64% | The Lovely Bones | 12/11 |
| | Invictus | 12/11 |
| | Avatar | 12/18 |
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