It's another Los Angeles movie that is alternately self-congratulatory and self-pitying...
Shrink (2009)
Tomatometer
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Reviews Counted:47
Fresh:12
Rotten:35
Average Rating:4.5/10
Consensus: Kevin Spacey's performance is almost sharp enough to save Shrink, but in the end, he's dragged down by a cliched script and indifferent direction.
Rated: R [See Full Rating] for drug content throughout, and pervasive language including some sexual references.
Runtime: 1 hr 50 mins
Genre: Comedies
Theatrical Release:Jul 24, 2009 Limited
Box Office: $93,250
Synopsis:
What happens when the people we count on to hold us together...are barely holding it together themselves? Jonas Pate's Shrink is a striking, fast-paced expose of the "other" Hollywood, featuring...
What happens when the people we count on to hold us together...are barely holding it together themselves? Jonas Pate's Shrink is a striking, fast-paced expose of the "other" Hollywood, featuring folks living outside their comfort zone and the people who put them there.
A tart, funny, and uplifting drama about the courage it takes to achieve happiness, SHRINK stars Kevin Spacey, Robert Loggia, Pell James, Keke Palmer, Griffin Dunne, Saffron Burrows, Jack Huston, Dallas Roberts, Gore Vidal, Laura Ramsey, Mark Webber, Jesse Plemons, Joel Gretsch. It is directed by Jonas Pate (DECEIVER), written by Thomas Moffett, and produced by Michael Burns, Braxton Pope, and Dana Brunetti. --© Roadside Attractions
Starring: Kevin Spacey, Mark Webber, Keke Palmer, Saffron Burrows
Starring: Kevin Spacey, Mark Webber, Keke Palmer, Saffron Burrows, Jack Huston, Pell James, Laura Ramsey, Dallas Roberts, Robert Loggia, Gore Vidal, Jesse Plemons
Director: Jonas Pate
Director: Jonas Pate
Screenwriter: Thomas Moffett
Producer: Michael Burns, Braxton Pope, Dana Brunetti
Composer: Brian Reitzell, Ken Andrews
Studio: Roadside Attractions
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Reviews for Shrink
Some of the humor is delicious. And there are a few fine moments of truth and pathos, most of them addressing a subset of grief often ignored on film.
A tart drama that probes and exposes shadowy entrails of the glamor capital but illuminating depth is not its most therapeutic effect.
A depressing drama about a Hollywood shrink who has it all and is experiencing a crisis.
It's an impressively convoluted piece of writing, but it loses it shine when it becomes clear that neither Moffett nor Pate know where they are going with these stories
The characters are so flatly conceived and their dilemmas so familiar that you wonder if the filmmakers even aspired to be original. Luckily, Kevin Spacey plays Carter with scene-saving grace.
Man is born unto trouble as the sparks fly upward, and when those sparks emanate from a doobie clutched by Kevin Spacey, a smug critique of the American dream is sure to follow.
[Spacey's] good, but the film doesn't find an emotional center, and we're left with actors acting out.
As all of Shrink's seemingly disparate stories begin to fall too cleverly into each other, it's easy to be distracted by some fine performances.
It wants to be Good Will Hunting set in the land of Entourage, but its bummed-out touchy-feeliness is every bit as concocted as its overly jaded showbiz corruption.
Director Jonas Pate and screenwriter Thomas Moffett have turned this strongly cast, potentially smart tale of personal intersection among a mostly rarefied group of Los Angelenos into an irritating and unconvincing slog.
The script by Thomas Moffett slickly satirizes the movie industry's fascination with vampires and special effects without being especially compelling or original.
It's ironic that the movie is called Shrink, because it practically shrinks before your eyes.
Like smog settling over Los Angeles, a creeping sense of anomie haunts the Hollywood power players and parasites sidling nervously through Shrink.
In seeking to depict the shallowness of Hollywood life, it's hard not to appear shallow yourself.
Directed by Jonas Pate and written with a nice ear for self-delusion by Thomas Moffet, Shrink mixes cliches with some pleasant surprises.
Shrink is no worse than the average Hollywood comedy. But it shows, more obviously than most, the bankruptcy of standard-issue American pop narrative, circa 2009.
Never mind the crazy cast; this weary retread of trendy multicharacter melodramas is what’s really unhinged.
Latest News for Shrink
August 26, 2009:
Trailer & Poster review ![]()
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