Amid all the blood and punishment [it] works the suspense chain along with a wrenching soundtrack and a gritty film stock that harkens back to the old horror flicks of the 70s
The Collector (2009)
Tomatometer
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Reviews Counted:44
Fresh:11
Rotten:33
Average Rating:4/10
Consensus: Increasingly tedious displays of gore makes this torture porn home-invasion-horror more programmatic than provocative.
Rated: R [See Full Rating] for pervasive sadistic bloody violence, language and some sexuality/nudity.
Genre: Horror/Suspense
Theatrical Release:Jul 31, 2009 Wide
Box Office: $7,674,322
Synopsis:
THE COLLECTOR follows the story of handyman and ex-con Arkin, who aims to repay a debt to his ex-wife by robbing his new employer’s country home. Unfortunately for Arkin, a far worse enemy has...
THE COLLECTOR follows the story of handyman and ex-con Arkin, who aims to repay a debt to his ex-wife by robbing his new employer’s country home. Unfortunately for Arkin, a far worse enemy has already laid claim to the property – and the family. As the seconds tick down to midnight, Arkin becomes a reluctant hero trapped by a masked “Collector” in a maze of lethal invention – the Spanish Inquisition as imagined by Rube Goldberg – while trying to rescue the very family he came to rob.
The project, produced by Fortress Features’ Brett Forbes and Patrick Rizzotti and Imaginarium Entertainment Group’s Julie Richardson, stars Josh Stewart (The Curious Case of Benjamin Button, Criminal Minds), Daniella Alonso (Friday Night Lights, The Hills Have Eyes 2), Michael Reilly Burke (Lincoln Heights, 24), Andrea Roth (Rescue Me, War), Madeline Zima (Californication, The Hand That Rocks the Cradle), Karley Scott-Collins (Pulse 2, The Class), Robert Wisdom (The Wire, The Forgotten) and Juan Fernandez (The Lost City, A Man Apart). --© Freestyle
Starring: Madeline Zima, Andrea Roth, Daniella Alonso, Robert Wisdom
Starring: Madeline Zima, Andrea Roth, Daniella Alonso, Robert Wisdom, Josh Stewart, Michael Reilly Burke
Director: Marcus Dunstan
Director: Marcus Dunstan
Screenwriter: Patrick Melton, Marcus Dunstan
Studio: Freestyle Releasing
Reviews for The Collector
The Collector feels like the final, welcome nail in the bizarrely popular torture-porn coffin.
The early scenes promise a potentially novel cross between heist and extreme horror, but those hopes are quickly dashed.
You will squirm, but aren't we getting a bit desensitized to these routine torture flicks? It's like seeing a pop songstress get naked for the billionth time -- yeah, she's hot, but we have all seen it before.
It's no shock that working on the past three SAW films has influenced the duo, and it shows in THE COLLECTOR, a raw, gritty and uncompromising horror film that puts the previous SAW film to shame.
One trap leaves a woman impaled on a movie screen, producing an image that succinctly if literally sums up a genre’s cynicism.
Not pretty, but for a genre that consistently gets off on a Hanna-Barbera aesthetic to shock audiences out of their allowance money, it's interesting to see primal fear put back on the screen.
It's just a good-ol-fashioned bloodbath. Rasputin could get behind that. And occasionally, I can too.
Hardcore horror film with a storyline that resembles a particularly nasty Itchy and Scratchy cartoon.
...an open-handed insult to fans of the horror genre. The storytelling on display is beneath remedial.
This ultra-sadistic, efficiently single-minded Grand Guignol endurance test plays like something cooked up by a clever 14-year-old devotee of Bloody-Disgusting.com.
Dunstan clearly delivers what horror fans desire: a leap from their seats.
If a horror picture is supposed to scare its audience, then this one has misplaced that goal with an onslaught of broken limbs, chipped-out teeth, and melting pussycats.
Dunstan directs his first feature with a good eye, but the material doesn't feel as realistic as the duo might have hoped.
I was somewhat startled to discover that it actually has a few intriguing qualities amidst the blood and guts.
A sub-Saw knockoff that manages to be brutal yet monotonous, not to mention monstrously unpleasant.
A simple, basic, fast-paced horror thriller that wastes nary a frame on unnecessary set-up, languid exposition, or pointless subplots.
There's some torture, a lot of blood, some deaths, the usual routine, but without any suspense or ingenuity.
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