Opening

42% Sin City: A Dame to Kill For Aug 22
50% If I Stay Aug 22
—— When The Game Stands Tall Aug 22
7% Are You Here Aug 22
97% Love Is Strange Aug 22

Top Box Office

21% Teenage Mutant Ninja Turtles $28.5M
92% Guardians of the Galaxy $25.1M
14% Let's Be Cops $17.8M
35% The Expendables 3 $15.9M
31% The Giver $12.3M
21% Into The Storm $7.9M
66% The Hundred-Foot Journey $7.2M
64% Lucy $5.5M
41% Step Up: All In $2.7M
62% Hercules $2.1M

Coming Soon

0% The November Man Aug 27
98% Starred Up Aug 27
—— As Above/So Below Aug 29
85% The Congress Aug 29
—— The Calling Aug 29

New Episodes Tonight

86% The Bridge (FX): Season 2
91% The Divide: Season 1
83% Extant: Season 1
—— Franklin & Bash: Season 4
—— Graceland: Season 2
—— Hot in Cleveland: Season 5
57% Legends: Season 1
—— Motive: Season 2
69% Mystery Girls: Season 1
100% Suits: Season 4
38% Taxi Brooklyn: Season 1
43% Young & Hungry: Season 1

Discuss Last Night's Shows

—— Covert Affairs: Season 5
88% Finding Carter: Season 1
67% Matador: Season 1
—— Perception: Season 3
—— Pretty Little Liars: Season 5
—— Rizzoli & Isles: Season 5
—— Royal Pains: Season 5
—— Sullivan & Son: Season 3
57% Tyrant: Season 1

Certified Fresh TV

86% The Bridge (FX): Season 2
83% Extant: Season 1
88% The Honorable Woman: Season 1
86% The Knick: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
73% Murder in the First: Season 1
89% Outlander: Season 1
82% Satisfaction: Season 1
87% The Strain: Season 1
82% Welcome to Sweden: Season 1
77% You're the Worst: Season 1

Double Take Reviews

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Chris Chang
Film Comment Magazine

Double Take is a cunning hybrid-call it a psycho-doc. Playful yet tempered with paranoia, curiously the whole thing nevertheless seems more nostalgic than cautionary.

Full Review Source: Film Comment Magazine

November 13, 2013
Sean Axmaker
Turner Classic Movies Online

... more entertaining than enlightening.

Full Review Source: Turner Classic Movies Online

March 25, 2011
Colin Covert
Minneapolis Star Tribune
Top Critic IconTop Critic

Hardly earth-shattering enough for a 5-minute short, much less an 80-minute movie.

Full Review Source: Minneapolis Star Tribune | Original Score: 1/4

December 9, 2010
Mike Scott
Times-Picayune

The message is muddy, but that doesn't feel as important as the delivery method, which ends up redeeming this as a film experiment that succeeds for its sense of derring-do if nothing else.

Full Review Source: Times-Picayune | Original Score: 2.5/4

July 23, 2010
A.O. Scott
New York Times
Top Critic IconTop Critic

Hitchcock was a master of mischief and misdirection, and no film so thoroughly infused with his spirit could be dull or predictable.

Full Review Source: New York Times | Original Score: 3/5

June 4, 2010
Chris Cabin
Filmcritic.com

the most indefinable film currently playing in theaters; it also happens to be the most madly entertaining

Full Review Source: Filmcritic.com | Original Score: 3.5/5

June 3, 2010
Stephen Whitty
Newark Star-Ledger
Top Critic IconTop Critic

This isn't a normal movie; it's an art installation. And whatever it may have been meant to be, it takes its real meaning from you.

Full Review Source: Newark Star-Ledger | Original Score: 3/4

June 3, 2010
Noel Murray
AV Club
Top Critic IconTop Critic

By contrasting Hitchcock's explanation of "The MacGuffin" with TV commercials and old arguments over who's winning the Cold War, Grimonprez makes a case for how historical events can be driven by threats more perceived than actual.

Full Review Source: AV Club | Original Score: B-

June 3, 2010
Avi Offer
NYC Movie Guru

Mildly entertaining, stylishly edited, but neither synthesized nor provocative enough to be a truly enlightening experience

Full Review Source: NYC Movie Guru | Original Score: 4.85/10

June 2, 2010
Kam Williams
Sly Fox

A marvelous, multi-media mockumentary about Hitchcock certain to add to the already lofty stature of the revered cinema icon.

Full Review Source: Sly Fox | Original Score: 4/4

June 2, 2010
Eric Monder
Film Journal International

Johan Grimonprez sure knows his Hitchcock! Double Take is a dazzling and dizzying avant-garde documentary homage--and then some.

Full Review Source: Film Journal International

June 2, 2010
Keith Uhlich
Time Out New York
Top Critic IconTop Critic

A way of showing how the Master of Suspense's work captured the zeitgeist, and how the zeitgeist responded by getting dumberer.

Full Review Source: Time Out New York | Original Score: 2/5

June 2, 2010
Andrew Schenker
Slant Magazine

The connections that Grimonprez makes among his various areas of inquiry seem mightily tenuous.

Full Review Source: Slant Magazine | Original Score: 2/4

May 31, 2010
Cole Smithey
ColeSmithey.com

Johan Grimonprez ("dial H-I-S-T-O-R-Y" - 1997) proves himself a master of the art of montage as he balances compounding strands of logic in a seemingly staggering display of seamless critical analysis. "Double Take" is an art film of the highest order. Do

Full Review Source: ColeSmithey.com | Original Score: A

May 21, 2010

Drawing hazy parallels between the Cold War and the rise of consumerist culture, the film implies ideological battles are won by those best able to exploit the media in insidious ways.

Full Review Source: Scotsman | Original Score: 2/4

April 15, 2010
Paul Huckerby
Electric Sheep

Double Take is a very entertaining film and is at times very funny -- aside from the Hitchcock intros, there is also the strange comedy double act of Nixon and Khrushchev.

Full Review Source: Electric Sheep

April 8, 2010
Alan Mack
Little White Lies

So here it is: an essay film it's okay to like.

| Original Score: 4/4

April 7, 2010
Rich Cline
Shadows on the Wall

Hitchcock fans and die-hard moviegoers will enjoy this offbeat collage-style movie, which is expertly assembled but struggles to engage us with a coherent story or theme

Full Review Source: Shadows on the Wall | Original Score: 2.5/5

April 4, 2010
Tom Dawson
Total Film

A single viewing only scratches the surface of this dazzling montage-based Hitchcock quasi-doc.

Full Review Source: Total Film | Original Score: 4/4

April 2, 2010
Peter Bradshaw
Guardian

This is arguably a rather cerebral and indulgent reverie, but there is fascination, and something genuinely disturbing, in every frame.

Full Review Source: Guardian | Original Score: 4/5

April 2, 2010
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