O rigor estético aqui exibido por Antonioni, somado à excepcional montagem de Frank Clarke, à bela fotografia de Carlo Di Palma e à atuação inspirada de Hemming, garante ao filme um vigor e um charme que só crescem com o tempo.
Blow-Up (1966)
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Reviews Counted: 35
Fresh: 30
Rotten:5
Average Rating: 8/10
Runtime: 2 hrs 2 mins
Genre: Dramas
Synopsis: Michelangelo Antonioni delivers yet another masterful cinematic expose with BLOW UP, a provocative mystery set in the seamy mod culture of London. The film follows a photographer (David Hemmings)... Michelangelo Antonioni delivers yet another masterful cinematic expose with BLOW UP, a provocative mystery set in the seamy mod culture of London. The film follows a photographer (David Hemmings) who captures evidence of a murder when he takes some innocent snapshots of a couple in the park. As he digs deeper and deeper into the photograph's actual negative in order to unravel the mystery, he also must contend with a seemingly dangerous woman (Vanessa Redgrave) who knows more than she is letting on. Atmospheric, tense, with a refreshing jolt of humor, Antonioni's stylish thriller influenced the work of many of cinema's most celebrated directors, including Francis Ford Coppola's THE CONVERSATION, Brian De Palma's BLOW OUT, and David Lynch's BLUE VELVET. [More]
Starring: Vanessa Redgrave, David Hemmings, Sarah Miles, Jill Kennington
Starring: Vanessa Redgrave, David Hemmings, Sarah Miles, Jill Kennington, Verushka, Peter Bowles, Jane Birkin, Gillian Hills
Director: Michelangelo Antonioni
Director: Michelangelo Antonioni
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Reviews for Blow-Up
This is so ravishing to look at (the colors all seem newly minted) and pleasurable to follow (the enigmas are usually more teasing than worrying) that you're likely to excuse the metaphysical pretensions.
There may be some meaning, some commentary about life being a game, beyond what remains locked in the mind of film's creator, Italian director-writer Michelangelo Antonioni. But it is doubtful that the general public will get the 'message' of this film.
As often with Antonioni, a film riddled with moments of brilliance and scuppered by infuriating pretensions.
The natural world is arrayed against the artificial scene; conscience is deployed against convention. If you’ve never seen Blow-Up, see it now, if only to see what part of the world was like 40 years ago.
Whether there was a murder isn't the point. The film is about a character mired in ennui and distaste, who is roused by his photographs into something approaching passion.
Speaks to the inescapability of modern man’s emotional and spiritual alienation.
Peter Brunette’s detailed and entertaining commentary refreshingly acknowledges that, at many points, 'Things don’t add up in this movie.'
Antonioni’s chic study in ambiguity calls into question the notion of photographic truth, and indeed reality itself.
Relying only on our subjective perceptions and personal interpretations, we are asked to find the truth for ourselves.
Latest News for Blow-Up
July 31, 2007:
Remembering Michelangelo Antonioni
Italian director Michelangelo Antonioni, who gave the world such influential films as L'Avventura, Blow-Up, and The Passenger, died Monday at the age of 94. More...
October 20, 2005:
RT Critical Consensus: "Doom" Gloom, "Country" Sounds Sweet
This week at the movies brings stories of marines on Mars ("Doom"), iron miners fighting the man ("North Country"), little girls who love horses... More...
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