One of the best directorial debuts in Hollywood history.
Body Heat (1981)
Tomatometer
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Reviews Counted:36
Fresh:35
Rotten:1
Average Rating:8/10
Runtime: 1 hr 53 mins
Genre: Dramas
Synopsis: During one hot and sultry Florida summer, a shady lawyer launches into a torrid relationship with a lonely woman married to a rich businessman. As their relationship grows, she decides to enlist... During one hot and sultry Florida summer, a shady lawyer launches into a torrid relationship with a lonely woman married to a rich businessman. As their relationship grows, she decides to enlist his help in killing her husband so that the two can live comfortably off his riches. After they've successfully completed the deed, the lovers' relationship sours, and they both become principal suspects in the police investigation. [More]
Starring: William Hurt, Kathleen Turner, Richard Crenna, Mickey Rourke
Starring: William Hurt, Kathleen Turner, Richard Crenna, Mickey Rourke, Ted Danson
Director: Lawrence Kasdan
Director: Lawrence Kasdan
Composer: John Barry
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Reviews for Body Heat
Body Heart mixes sex with murder and comes up with a steamy brew of surprises.
Though Lawrence Kasdan's film is set in today's South Florida, its characters move through an atmosphere that suggests the confluences of decor and demeanor in a 1940s film noir.
Body Heat is good enough to make film noir play like we hadn't seen it before.
Lawrence Kasdan's 1981 noir fable is highly derivative in its overall conception, but it finds some freshness in its details.
Every aspect of Body Heat is dead-on, including the two central performances by Hurt and Turner.
While Body Heat involves murder, fraud, a weak hero led astray and a seductive, double-dealing broad, it also incorporates something new: a sexual explicitness that the old films could only hint at.
Still regarded as one of the steamiest movie's of all time, Body Heat is a fantastic exponenet of how noir has developed.
The setup is classic noir that follows the rigid three-act screenplay structure that only a Hollywood newcomer could stringently abide by, and here it works
William Hurt makes a good sleazeball, especially with his bad mustache.
A stylish but somewhat unsatisfying copy-cat film from the film noir of the 1940s
An excellent crime drama in the style of Raymond Chandler, James M. Cain, and Dashiell Hammett.
There's no denying the narrative confidence that brings the film to its unfashionably certain double-whammy conclusion.
Steamy, explicit and highly-charged film noir reworked with an 1980s gloss.
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April 18, 2007:
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