• R, 1 hr. 50 min.
  • Drama
  • Directed By:
    James Bridges
    In Theaters:
    Apr 1, 1988 Wide
    On DVD:
    Aug 5, 2003
  • MGM Home Entertainment

Opening

70% The Equalizer Sep 26
71% The Boxtrolls Sep 26
85% The Two Faces of January Sep 26
—— Two Night Stand Sep 26
91% Jimi: All Is by My Side Sep 26

Top Box Office

63% The Maze Runner $32.5M
66% A Walk Among the Tombstones $12.8M
43% This Is Where I Leave You $11.6M
11% No Good Deed $9.8M
71% Dolphin Tale 2 $8.9M
92% Guardians of the Galaxy $5.2M
20% Let's Be Cops $2.7M
19% Teenage Mutant Ninja Turtles $2.7M
88% The Drop $2.1M
37% If I Stay $1.8M

Coming Soon

56% Men, Women & Children Oct 01
85% Gone Girl Oct 03
—— Annabelle Oct 03
67% The Good Lie Oct 03
—— 7500 Oct 03

Premieres Tonight

—— The Big Bang Theory: Season 8
—— The Blacklist: Season 2
50% Forever: Season 1
95% Gotham: Season 1
34% Scorpion: Season 1
—— Sleepy Hollow: Season 2

New Episodes Tonight

71% Dallas: Season 3
62% Under the Dome: Season 2

Discuss Last Night's Shows

—— American Dad!: Season 11
87% Boardwalk Empire: Season 5
53% The Lottery: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
80% Ray Donovan: Season 2
87% The Strain: Season 1
—— Witches of East End: Season 2

Bright Lights, Big City Reviews

Page 1 of 2
Don Willmott
Filmcritic.com

truth be told, nothing much happens other than a series of increasingly mortifying benders

Full Review Source: Filmcritic.com | Original Score: 2.5/5

June 18, 2008
Jonathan Rosenbaum
Chicago Reader
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Full Review Source: Chicago Reader | Original Score: 1/4

April 1, 1988
Daniel M. Kimmel
Worcester Telegram & Gazette

| Original Score: 2/5

February 8, 2004
Jake Euker
F5 (Wichita, KS)

| Original Score: 1/5

February 18, 2007
Hal Hinson
Washington Post
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The movie is like a Porsche outfitted with a lawn mower engine; there's not even enough juice to get the machine out of the driveway.

Full Review Source: Washington Post

January 1, 2000
Emanuel Levy
EmanuelLevy.Com

| Original Score: 2/5

June 15, 2005
Walter Chaw
Film Freak Central

Flyblown, devoid of pace and heat; it's such a mortician's slab that it's hard to even tell if the Fox performance is wasted on it, though I suspect it is.

Full Review Source: Film Freak Central | Original Score: 1/4

November 9, 2008
Philip Martin
Arkansas Democrat-Gazette

| Original Score: 3/5

July 30, 2002
Roger Ebert
Chicago Sun-Times
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Fox is very good in the central role (he has a long drunken monologue that is the best thing he has ever done in a movie).

Full Review Source: Chicago Sun-Times | Original Score: 3.5/4

January 1, 2000
Scott Weinberg
eFilmCritic.com

Not unlike its cousin, "Less Than Zero," this one's slick, well-acted, surface-deep, and enjoyably disturbing.

| Original Score: 3/5

July 27, 2002
Clint Morris
Moviehole

Moves at a snails pace, but it's worthwhile sticking in for performances like this

| Original Score: 3/5

September 18, 2002
Cole Smithey
ColeSmithey.com

Pure '80s rock 'n' roll fun from start to finish.

| Original Score: 4/5

November 2, 2006
Rich Cline
Shadows on the Wall

muddled but engaging

| Original Score: 3/5

September 19, 2004
Desson Thomson
Washington Post
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Along the gruesome road to self-discovery, Bright Lights offers some entertaining, episodic, danceable highlights.

Full Review Source: Washington Post

January 1, 2000
Brian Mckay
eFilmCritic.com

This slice of New York yuppie angst is watchable, but forgettable.

| Original Score: 3/5

March 19, 2003
Ryan Cracknell
Apollo Guide

Even when the story lingers at times, the central character is played so strongly that you can still stay with the film.

Full Review Source: Apollo Guide | Original Score: 71/100

August 22, 2004
Chris Hicks
Deseret News, Salt Lake City

There is no question that this is Fox's film, and the range of emotion he shows, the edginess that he brings to the role will doubtless surprise those who think of him strictly as Alex P. Keaton or Marty McFly.

Full Review Source: Deseret News, Salt Lake City | Original Score: 3/4

January 1, 2000
Janet Maslin
New York Times
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Mr. Bridges may not have breathed fire into this material, but he has preserved most of its better qualities. He has treated it with intelligence, respect and no undue reverence, assembling a coherent film that resists any hint of exploitation.

Full Review Source: New York Times | Original Score: 3.5/5

May 20, 2003

Film4
May 24, 2003

Time Out
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June 24, 2006

Variety
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March 26, 2009
Page 1 of 2
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