ts techniques would be adopted by noir, its themes are aped by horror films and thrillers today.
Cat People (1942)
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Reviews Counted:31
Fresh:29
Rotten:2
Average Rating:8/10
Consensus: Influential noir director Jacques Tourneau infused this sexy, moody horror film with some sly commentary about the psychology and the taboos of desire.
Runtime: 73 mins
Genre: Horror/Suspense
Synopsis: Irena Dubrovna (Simone Simon) is a young, Serbian artist living in New York City. When she meets American Oliver Reed (Kent Smith), she falls in love and gets married. But their union hits the... Irena Dubrovna (Simone Simon) is a young, Serbian artist living in New York City. When she meets American Oliver Reed (Kent Smith), she falls in love and gets married. But their union hits the rocks when she becomes consumed with the belief that she is the victim of a curse. According to Irena, the curse will make her turn into a deadly panther the minute she becomes emotionally aroused. In an effort to fix their problems, Oliver seeks psychiatric counseling for his beautiful and tormented young bride. But talking about her problems may only make them worse. The first of several interesting horror films by producer Val Lewton, CAT PEOPLE was innovative in its style. Joining Lewton's artistic sense and mastery of atmosphere with Jacques Tourneur's directing talent, the film created fear in its audience precisely by not showing too much. This restraint and emphasis on psychological tension rather than physical violence would go on to influence later horror directors. [More]
Starring: Simone Simon, Kent Smith, Tom Conway, Jane Randolph
Starring: Simone Simon, Kent Smith, Tom Conway, Jane Randolph, Jack Holt, Alan Napier, Elizabeth Dunne, Elizabeth Russell
Director: Jacques Tourneur
Director: Jacques Tourneur
Screenwriter: DeWitt Bodeen
Producer: Val Lewton
Composer: Roy Webb
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Reviews for Cat People
The result is a haunting and subtle film, filled with desires gone awry and everyday settings turned inexplicably nightmarish.
A Val Lewton classic that proves in horror, the less you show, the scarier the movie.
The way it messes with your head -- and Jacques Tourneur's deft ability behind the camera -- make it quite the '40s standout.
More a film about unreasoning fear than the supernatural, this work demonstrates what a filmmaker can accomplish when he substitutes taste and intelligence for special effects.
As well as being scary, the film deals intelligently with sex and the psyche.
It's what you don't see in a Val Lewton production rather than what you do see that makes it frightening.
What works the best, though, is the compelling sense of conviction -- something missing from most 1940s horror films.
No mere creature feature, this 1940s classic offers more subtle chills.
Female sexuality is a rich source of a certain kind of horror - the kind of horror that plays upon the anxieties that prudish bourgeois men have about their wives' sex lives.
High-contrast frightfest with nervy lighting and production design and a well-maintained air of dread.
Latest News for Cat People
October 10, 2007:
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