a drawn-out hour of investigation that looks like a schoolyard game of C.S.I.
Crossfire (1947)
Tomatometer
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Reviews Counted:12
Fresh:10
Rotten:2
Average Rating:7.7/10
Runtime: 86 mins
Genre: Dramas
Synopsis: This unusual and worthwhile black-and-white film noir was one of the first movies to deal with issues of anti-Semitism. A weary Washington detective (Robert Young) must get to the bottom of a... This unusual and worthwhile black-and-white film noir was one of the first movies to deal with issues of anti-Semitism. A weary Washington detective (Robert Young) must get to the bottom of a seemingly motive-lacking murder, with the prime suspect a boozy soldier who can only vaguely recall the events of the night. The story really digs its heels into lots of postwar issues--how soldiers need a place to put all their violence once the war is over and the other problems of readjusting to civilian life. Robert Mitchum stars as a friend of the accused soldier who helps the detective solve the case. Edward Dmytryk had already established himself as a fine noir director with MURDER, MY SWEET, made a few years earlier. Here he takes the shadowy, midnight world of desperate people and seedy dives and slyly turns it into a vehicle for the exploration of bigotry. The result is a quietly stunning, low-key classic. Young is especially good as the detective and gets ample help from Mitchum and Robert Ryan in this well-written, atmospheric drama. [More]
Starring: Robert Young, Robert Mitchum, Robert Ryan, Gloria Grahame
Starring: Robert Young, Robert Mitchum, Robert Ryan, Gloria Grahame, Paul Kelly, Sam Levene, Jacqueline White, Steve Brodie
Director: Edward Dmytryk
Director: Edward Dmytryk
Producer: Adrian Scott
Screenwriter: John Paxton
Composer: Roy Webb
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Release:
Jul 5, 2005
Reviews for Crossfire
It would have been a much better film if it weren't for the censor: there is absolutely no question about that.
Producer Dore Schary, in association with Adrian Scott, has pulled no punches.
This ultra-low-budget thriller did what all great B movies do: it broached a subject that 'respectable' movies wouldn't touch.
While the film remains a respectable thriller, only Ryan's crafty, quietly deranged performance lifts it out of the ordinary.
Dealing with racial bigotry, this tense thriller combines a message drama with the stylistics of film noir, resulting in one of the best films of the 1940s, with top notch work from Robert Mitchum and Robert Ryan.
An intriguing combination of a common noir theme with the liberal-minded message picture.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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