This 1971 made-for-TV movie was one of Steven Spielberg's auditions for Jaws, and the same slickly impersonal shock effects prevail.
Duel (1971)
Tomatometer
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Reviews Counted:36
Fresh:31
Rotten:5
Average Rating:7.7/10
Runtime: 90 mins
Genre: Television
Synopsis: DUEL, one of Steven Spielberg's first vehicles, foreshadowed the blockbuster film JAWS. Using minimal dialogue and effects, Spielberg defines the characteristics of his prolific oeuvre in this... DUEL, one of Steven Spielberg's first vehicles, foreshadowed the blockbuster film JAWS. Using minimal dialogue and effects, Spielberg defines the characteristics of his prolific oeuvre in this early work. Through tight cinematic narration, he effectively conveys the sudden and shocking horror that develops over the course of the film. On a deserted stretch of California highway, businessman David Mann (Dennis Weaver) settles into his red Valiant for the long drive to an urgent meeting. Ahead of him on the road is a slow-moving diesel truck, which David innocently decides to pass. So begins the long duel between David and the Goliath-like rig in this nerve-wracking TV movie. Menacing David at every twist and turn of the highway, the truck tries to push the Valiant onto a train track, run David down in a phone booth, engage him in a high-speed chase, and tailgate him into oblivion. Hoping to lose the rig, David stops at a roadside café only to realize that the driver of the truck is also in the restaurant. The driver is never seen, except one shot of his beefy arm waving the Valiant ahead into oncoming traffic. Instead, Spielberg uses the monstrous truck itself, much like the way he used the shark in JAWS, to harass and taunt. After its broadcast on television, DUEL was released theatrically with extra footage added. [More]
Starring: Dennis Weaver, Tim Herbert, Charles Seel, Eddie Firestone
Starring: Dennis Weaver, Tim Herbert, Charles Seel, Eddie Firestone, Gene Dynarski, Lucille Benson, Lou Frizzell, Jacqueline Scott
Director: Steven Spielberg
Director: Steven Spielberg
Screenwriter: Richard Matheson
Producer: George Eckstein
Composer: Billy Goldenberg
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Reviews for Duel
Duel has come to represent much of what is “wrong” with the current cinema.
Duel achieves the frantic energy and striking simplicity of silent film: ironically, considering its small screen origins, it is pure cinema.
An exquisite piece of streamlined suspense and action that clearly demonstrates that [Spielberg] was already in full control of his vision.
A sort of minimalist telepic precursor to John Dahl’s Joyride that packs the unadulterated genre punch of pure grain alcohol...
... 'road rage' taken to new heights of exploitation by the boy wonder.
At 24, Spielberg demonsrated his technical virtuosity with his first made for TV feature, a nail-biting suspenser of a salesman pursued on the roadby a mad trucker.
The film is noteworthy as early Spielberg, but it hasn't stood the test of time. New movies, like Joy Ride, tackle the same material more deftly.
Even without benefit of hindsight, Duel looks like the work of an unusually talented young director.
Duel demeure donc encore aujourd'hui l'un des meilleurs exemples de l'agilité de Spielberg à si bien combler un manque de substance par ses grands talents de raconteur.
Not even Hitchcock could have shot or paced Duel any better. Spielberg understands precisely where to insert his silences and pauses, and when to make them restful or tense. He knows how to pour it on for the exciting chase scenes.
Spielberg's first film finds the director ruthlessly exploiting a devastatingly simple premise to extraordinary effect.
Latest News for Duel
December 12, 2007:
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This week, Will Smith plays a guy who discovers he's the last man on earth in I Am Legend. So it's a good time to take a look at the movie work of Richard Matheson, who penned... More...
April 26, 2006:
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Forgive me if this sounds like a broken record (er, corrupted MP3, sorry) but you know that big-screen adaptation of Richard Matheson's "I Am Legend" that's been... More...
February 28, 2006:
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The traditional logic that says "famous people always die in threes" was backed up with a vengeance this past weekend as we lost a trio of talented, prolific, and... More...
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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