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The Importance of Being Earnest (1952)
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Reviews Counted:14
Fresh:13
Rotten:1
Average Rating:7.9/10
Runtime: 1 hr 51 mins
Genre: Comedies
Synopsis: Anthony Asquith, having directed a wonderful film of George Bernard Shaw's PYGMALION, turned in 1952 to another classic, one of the greatest theatrical comedies, Oscar Wilde's THE IMPORTANCE OF... Anthony Asquith, having directed a wonderful film of George Bernard Shaw's PYGMALION, turned in 1952 to another classic, one of the greatest theatrical comedies, Oscar Wilde's THE IMPORTANCE OF BEING EARNEST. Set at the height of the Victorian era, popularly imagined to be a cold and repressive time, the visual contrast with 1950s Technicolor only seems to enhance Wilde's sharp satire and droll epigrams. Cast with talented veterans of the English stage, even the minor characters are a delight. Asquith allows the actors, particularly the female roles, to deliver Wilde's dialogue in a ringing theatrical voice. Edith Evans as the imperious Lady Bracknell, full of strident tone and rolling R's, and always in high dudgeon, strikes fear in the heart of Jack (Michael Redgrave), while Joan Greenwood as the beautiful, opinionated Gwendolyn (who could never marry a man named "Jack"), melts his heart in a voice that practically purrs. Wilde's use of a convoluted, improbable story, much imitated in the screwball comedies of the 1930s, never detracts from the pure enjoyment of his characters silly yet heartfelt struggles. Asquith's staging and directing is smooth and fluid, thus retaining a theatrical feel. This gives today's viewer a sense of what Victorian audiences must have felt when they first beheld the breathless pace and matchless wit of the incomparable Oscar Wilde. [More]
Starring: Michael Redgrave, Edith Evans, Margaret Rutherford, Michael Denison
Starring: Michael Redgrave, Edith Evans, Margaret Rutherford, Michael Denison, Joan Greenwood, Miles Malleson, Dorothy Tutin
Director: Anthony Asquith
Director: Anthony Asquith
Story: Oscar Wilde
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Reviews for The Importance of Being Earnest
One is left to appreciate the zingers and spirited performances in this understandably enduring comedy of mistaken identities and romantic entanglements.
Civilized comedy has never been more civilized -- or as preposterously funny.
A very competent and enjoyable rendition of Oscar Wilde's most witty play from 1895.
Asquith, an expert in comedy ..., knows just how to let Wilde's drawing-room farce play out to maximum effectiveness with a minimum of intrusion
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