This film is about the week before the crucifixion of Jesus Christ by the Romans, and the relationship between Jesus and Judas. Also, if the title doesn't tip you off to the epic power of this film, it is also a musical. A rock opera at that, written and scored by Andrew Lloyd Webber and Tim Rice. There isn't a great need for historical accuracy, or Biblical accuracy at that, and many points in the film have come up for dispute in the Christian community. The film actually took pains to sanitize itself in comparison to the original musical so not to offend them, though most of the time there is little difference between both. Though it may not be useful as an educational tool for the dogma of the Christian religion, it does teach about the relationship between the messiah and one of his apostles, and the way Jesus struggled through the end of his life, ending up very human and yet above it all with his sacrifice for the sins of everyone. He is damned, he does go before Pontius Pilate, and he does end his story with his crucifixion. The musical itself is a blatant anachronism of the seventies and the times of Jesus, fusing the savior's concepts of salvation with the free love and ambivalence of the sixties. The music in the first twenty minutes is the best of the entire musical and features the amazing pipes of Ted Neeley, Carl Anderson, and Yvonne Elliman. The rest of the music (which is the only way the plot moves since there isn't any dialogue) is fairly rock opera-esque, but it's not until the final song that the music starts becoming huge and rock once more. The rest is slow and bleak as it tells the story of Jesus and how he must take the punishment of the Romans and his sacrifice. His and Judas' relationship in the film is really quite interesting and Carl Anderson's performance as Judas is both complex and understated. Ted Neeley is a bit of a shifty eyed pessimistic throughout, and I do believe his performance does not deserve the accolades it brought, or the forty year career he's had playing the character on Broadway. The film did do something different with the traditional musical when it came to sets, characters, in-jokes, and costumes, and that anachronism and tie to contemporary music made the story more accessible for an entirely new generation. Though the film drags in places it is definitely enjoyable and interesting when it came to the original story of frenemies.