This bizarre work is one of Martin Scorsese's greatest and most underrated films.
The King of Comedy (1982)
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Reviews Counted:37
Fresh:34
Rotten:3
Average Rating:8.3/10
Runtime: 1 hr 49 mins
Genre: Comedies
Synopsis: Martin Scorsese's THE KING OF COMEDY is a brutally funny depiction of the dangers of celebrity fandom. Robert De Niro plays the ridiculously inept Rupert Pupkin, an aspiring comic who idolizes... Martin Scorsese's THE KING OF COMEDY is a brutally funny depiction of the dangers of celebrity fandom. Robert De Niro plays the ridiculously inept Rupert Pupkin, an aspiring comic who idolizes talk-show host Jerry Langford (Jerry Lewis). Still living at home with his mother, Rupert spends his days trying to arrange a meeting with his hero. When he isn't doing that, he's at home talking to cardboard cutouts in his makeshift television studio. After Rupert convinces Rita (Diahnne Abbot), a pretty bartender, that Langford has invited them to his house outside the city, the reality of the situation makes itself painfully apparent upon arriving at the star's front door. Trouble is, Rupert's too delusional to take the hint. He eventually hatches a plan with an equally obsessed fan, Masha (a scene-stealing Sandra Bernhard), to kidnap Langford in exchange for a chance to let him deliver his routine on the air. De Niro and Lewis deliver scorching performances that are at once tragic and hysterical, making for an unsettling yet highly stimulating viewing experience. Paul D. Zimmerman's script takes the time to truly crawl inside the mind of a lunatic, exposing celebrity worship as the ludicrous problem that it is. THE KING OF COMEDY stands firmly as one of Scorsese's most terrifying films. [More]
Starring: Robert DeNiro, Jerry Lewis, Sandra Bernhard, Diahnne Abbott
Starring: Robert DeNiro, Jerry Lewis, Sandra Bernhard, Diahnne Abbott, Tony Randall, Frederick De Cordova, Ed Herlihy, Catherine Scorsese
Director: Martin Scorsese
Director: Martin Scorsese
Producer: Arnon Milchan
Screenwriter: Paul D. Zimmerman
Composer: Robbie Robertson
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Reviews for The King of Comedy
It's very funny, and it ends on a high note that was, for me, both a total surprise and completely satisfying. Yet it's also bristly, sometimes manic to the edge of lunacy and, along the way, terrifying.
The uncenteredness of the film is irritating, though it's irritating in an ambitious, risk-taking way.
Much understood by critics in 1983, this is one of the most incisive (and scary) movies about the desperate desire to achieve fame in American society, increasingly dominated by shallow pop culture; De Niro, Jerry Lewis and Sandra Bernhard are terrific
It's Martin Scorsese's second least popular movie, after The Last Temptation of Christ. Which is a shame, because it's Scorsese's second greatest film, after Taxi Driver.
When compiling a top ten films of 1983, I didn't think twice about putting it at the top. It is certainly a film that grows on you.
It's still a great film, just not as absolutely amazing as it could have been.
...a little bizarre, somewhat unsettling, sometimes funny, sometimes not, but mostly on target.
Neither funny enough to be an effective black comedy nor scary enough to capitalise on its thriller/horror elements.
Takes an equally harsh look at the dark side of comedy, society’s value of success driving people to desperate acts, and the press’ bloodthirsty desire to sensationalize.
To be sure, Robert De Niro turns in another virtuoso performance for Martin Scorsese, just as in their four previous efforts. But once again -- and even more so -- they come up with a character that it's hard to spend time with.
A wholly original and entirely offbeat, dark comedy about fame, obsessive fandom, and the medium from which they both feed: television.
Um filme que fica cada vez mais dolorosos de se ver à medida em que compreendemos a profundidade e a fragilidade dos personagens principais, e nos identificamos com eles.
Worlds away from the bravura flash of other DeNiro-Scorsese collaborations, this underrated, claustrophobic, chilling satire is particularly prescient of today's celebrity-fixated society. A modern classic.
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