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King of Hearts (1967)
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Reviews Counted:10
Fresh:9
Rotten:1
Average Rating:7.4/10
Runtime: 1 hr 43 mins
Genre: Dramas
Synopsis: One of the first films to explore the insanity of war, this 1967 French farce drew a literal connection between the clinically insane and the hawkish mentality of war. The message of director... One of the first films to explore the insanity of war, this 1967 French farce drew a literal connection between the clinically insane and the hawkish mentality of war. The message of director Phillipe de Broca's masterpiece resonated with its Vietnam-era audience and was proclaimed one of the most powerful political statements of the sixties art house scene. KING OF HEARTS takes place at the end of World War I in the French village of Marville. Discovering that a German explosive has been set within its environs, British troops send one of their own, Private Charles Plumpick (Alan Bates), on a reconnaissance mission into the town. There he discovers that the only remaining inhabitants are the patients in a mental hospital who promptly dub Plumpick their lost king. As he tries to lead them out of danger, they take over the town in an exuberant celebration. Despite its strong antiwar stance, KING OF HEARTS is a sweetly comedic work. This is primarily evident in the innocent romance between the bewildered Plumpick and the tender mental patient Coquelicot, played by a radiantly youthful Genevieve Bujold. [More]
Starring: Alan Bates, Geneviève Bujold, Jean-Claude Brialy, Pierre Brasseur
Starring: Alan Bates, Geneviève Bujold, Jean-Claude Brialy, Pierre Brasseur, Michel Serrault, Marc Dudicourt, Julien Guiomar, Micheline Presle
Director: Phillippe De Broca
Director: Phillippe De Broca
Screenwriter: Daniel Boulanger, Maurice Bessy
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Reviews for King of Hearts
This engaging 1966 comedy isn't de Broca's best movie, but it was so popular with American audiences in the late '60s that it's still one of the era's most fondly remembered cult classics.
The outrageous comical fable became a sleeper cult hit, that offers more spectacle than story.
It's the kind of comic allegory about war that depends on muddleheadedness in order to make much sense, but if you're feeling muddleheaded, you might find yourself charmed and enchanted by the conceit.
Depending on your taste and mood, this will all be charming or more than a little cloying. But can you really hate a movie with a white camel in it?
A really hilarious and very pleasing film that doesn't argue its message with the viewer via corny or ignorant measures.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
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| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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