The Lost Patrol (1934)
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as The Sergeant
as Herbert Hale
as Lt. Hawkins
as Jock Mackay
as Lt. Hawkins
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Critic Reviews for The Lost Patrol
Visionary look at a group of doomed soldiers, grippingly told and styled, with an experimental feel.
Audience Reviews for The Lost Patrol
"the lost patrol" is one of the classic war flick on the theme of agoraphobia and survivalist trauma, directed by classic john ford who also takes the directional wheel of "the wrath of grapes" as well as a bunch of john wayne classics.
"the lost patrol" is about the wwi army lurks over the mesopotomian desert for temporal ease of oasis then besieged by the clandestine aribian assassinators, then gradually soldiers die one by one that corners and alienates its remained survivors until merely the sergent himself is kept alive to defeat the arabian crooks. in a nutshell, "the lost patrol" is a dirge upon the trainsient lives of war soldiers as well as their reluctant solace and unbearable sorrows, an anti-war nihilism on the futility of war or the glorification on the solemn sacrifice of millions of soldiers??
it might appear dry to some since it's mainly about dialogues of the characters' psychological interactions which delineates their mental states and also some primitive action scenes within the sequence of guerillas. two engrossing characters would be boris karloff's religious frantic who holds a giant cross of woodsticks to march torward the battlefield to make himself a myrtyr and victor mclaglen's sergeant who is a shattered widower living on the spared gleam of hopes for his son. the untimely rescue eventually feels like a preposterous mirage to deepen the sergeant's despair on the loss of numerous lives that contrarily thickens the simmering irony of war's fickleness.
"the lost patrol" is a humanistic depiction upon the cruelty of war and its costy price on human blood.
This movie is a remake of an older movie but was directed by John Ford. The story is set in Iraq during the First World War. Iraq was part of the Ottoman Empire at the time and an ally of Germany. England invaded Iraq in order to draw Ottoman troops away from Europe. In the movie a small English cavalry squad is patrolling the western desert of Iraq when their Lieutenant is shot by an Arab sniper. The Lieutenant was the only one in the patrol that knows where they are supposed to be going. The patrol is lost and running out of water. The Sergeant tries to lead them back to the Tigris and Euphrates rivers. They eventually find an oasis with a small building. They take shelter at the oasis but during the night the Arabs steal their horses. The rest of the story is how the individual members of the patrol deal with being surrounded by an enemy they can't see. The Arab snipers pick them off one by one. An airplane sees them and lands and the pilot is shot after he lands. In the end the Sergeant is the only survivor. He lures the Arabs to expose themselves by playing dead. He wipes them out with the machine gun from the airplane. A relief column arrives about that time and rescues the Sergeant. This is an old movie but it's interesting now because 74 to 93 years after World War I the United States and England were fighting wars in Iraq again. The movie doesn't mention the politics of the First World War but today's problems in the Middle East have their roots in World War I.
I believe in being drunk enough to be brave and brave enough to be drunk
A dozen British soldiers are traveling across the desert during World War 1 when they get pinned down by an Arabian assassin. The longer the troops are trapped in the desert, the more desperate they get... making the job of the assassin easier. How can the British overcome their unseen adversary?
"Do you remember the time I drank 57 bottles of beer on a bet?"
"Well, I may have miscounted by a few; I just remember it was 10 below my record."
John Ford, director of Grapes of Wrath, Stagecoach, The Man who Shot Liberty Valance, The Searchers, Rio Grande, Pinky, Fort Apache, and The Fugitive, delivers The Lost Patrol. The storyline for this picture is okay but the acting is very good. The script was alright but nothing amazing. The cast includes Boris Karloff, Victor McLaglen, Reginald Denny, Billy Bevan, and Alan Hale.
"Why don't you make your peace with god?"
"Because I don't want to."
I came across The Lost Patrol on Turner Classic Movies (TCM) and decided to DVR it since it starred one of my favorites, Boris Karloff. Karloff is more of a supporting character in this film, and his lines are delivered better than they are written, and his abstract character is very interesting, but the overall movie is just okay. I found it entertaining but not great.
"Where are we going to bury him?"
Doesn't make much difference, does it?"
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