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Point Blank (1967)
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Reviews Counted:22
Fresh:21
Rotten:1
Average Rating:8/10
Runtime: 1 hr 32 mins
Genre: Dramas
Synopsis: Lee Marvin stars as the lethal Walker in director John Boorman's stunningly stylized daylight noir, POINT BLANK. Mal Reese (John Vernon), Walker's partner in crime, shoots him and leaves him for... Lee Marvin stars as the lethal Walker in director John Boorman's stunningly stylized daylight noir, POINT BLANK. Mal Reese (John Vernon), Walker's partner in crime, shoots him and leaves him for dead on desolate Alcatraz Island just after they've pulled off a huge heist. For good measure, Reese also makes off with Walker's perfidious wife, Lynne (Sharon Acker). A couple of years later, while touring Alcatraz, Walker is approached by a man named Yost (Keenan Wynn) who offers to help him get his cut of the take by leading him to Reese and Lynne in exchange for information about the mysterious organization that now includes the thief's ex-partner. Walker agrees. He first runs down Lynne in L.A. and says hello by burying a few rounds in her bed but leaves her unharmed. Long ago abandoned by Reese, she's disintegrating emotionally and attempts to babble an explanation of her actions to the indifferent Walker. With the help of Lynne's sister, Chris (Angie Dickinson), Walker gains access to Reese's seemingly impregnable penthouse apartment, and the former partners' reunion is less than blissful. One of the best thrillers of the 1960s, the film's deadpan amorality and fragmented Resnais-influenced narrative, echoed in the startling camera angles and obliquely gorgeous anamorphic compositions of high-testosterone specialist Philip Lathrop (THE CINCINNATI KID), make clear why POINT BLANK has slowly become one of the most influential noirs. [More]
Starring: Lee Marvin, Angie Dickinson, Carroll O'Connor, Keenan Wynn
Starring: Lee Marvin, Angie Dickinson, Carroll O'Connor, Keenan Wynn, Lloyd Bochner, Michael Strong, John Vernon, Sharon Acker, James B. Sikking
Director: John Boorman
Director: John Boorman
Producer: Judd Bernard
Composer: Johnny Mandel
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Release:
Jul 5, 2005
Reviews for Point Blank
Scary and exciting at the same time, establishing Lee Marvin as the original Terminator.
Influenced by the classy Euro-art style of French director Alain Resnais.
Lee Marvin makes a perfect, unfazed human center to John Boorman's bizarre, psychedelic universe.
...one of the best, toughest, and most grimly cold-blooded mystery noirs Hollywood has given us.
What makes Point Blank so extraordinary is Boorman’s virtuoso use of such unconventional avant-garde stylistics to saturate the proceedings with a classical noir mood of existential torpor and romanticized fatalism.
O roteiro pouco inspirado ganha novos contornos graças à performance durona de Marvin e, principalmente, as experiências de montagem feitas por Henry Berman.
It gets back into the groove of Hollywood thrillers, after the recent glut of spies, counterspies, funny spies, anti-hero spies and spy-spier spies.
Latest News for Point Blank
February 04, 2005:
John Vernon: 1932-2005
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| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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