The Postman Always Rings Twice (1981)
Critics Consensus: No consensus yet.
No Top Critics Tomatometer score yet...
This film centers on the passionate affair that violently erupts between a mysterious wanderer and the wife of a diner owner. The trouble begins when the lovers decide that the only way to be together and have the money they crave is to murder her husband.
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Critic Reviews for The Postman Always Rings Twice
With its earthy Sven Nykvist cinematography and its emphasis on the character's rumpled clothes and weathered homes, this Postman is like something from the [Bob] Rafelson of 10 years earlier: pensive and realistic.
Not as good as the original, but not entirely dismissable
A Steamy and suspenseful piece of film
OK, but unnecessary remake.
Sexy and unnerving.
Audience Reviews for The Postman Always Rings Twice
What is most striking about this film are the performances by the leads. I've grown up taking for granted the fact that Jack Nicholson is a great actor with only a few of his contemporary performances serving as meaningful evidence, but here, in his younger days, Nicholson proves to be a master of smarmy, sleazy subtlety. Jessica Lange is at times vulnerable and at others succeeding in her attempt to be blisteringly alluring. The film's "love" - or should I say animalistic fucking - scenes also serve as the film's appeal, but I found myself more repulsed than aroused. Finally, David Mamet's script is quite strong, but this is not the Mamet of Oleanna and Wag the Dog. Rather, this is the Mamet of The Verdict, a Mamet who relies on subtext more than acerbic dialogue. For example, he writes, "I'm tired of doing the right thing." Pause. "They hang people for that, Cora." It's up to the actors to imbue these lines with meaning, and these actors are up to the task.
The film's flaw is the storyline. At the end, we wonder what the film is saying about these characters. It seems that they reach their conclusions out of moralistic fatalism, not out of any authorial or directorial intent. Compare this film to There Will Be Blood, which deals with many of the same themes sans sexuality, and you'll find that Paul Thomas Anderson has a clear vision and feeling about Daniel Plainview, but the same can't be said of these characters. What is more, there is a short subplot with Anjelica Huston, and in the words of Roger Ebert, she seems "to be visiting from another movie."
Overall, if you can look at this film as a collection of scenes from an acting class and divorce yourself from the need of a consistent story, The Postman Always Rings Twice is a good film.
When you‚??re trying to find a true Neo-Noir, this is hard to beat. Not only does it keep the safe feel and raunchy plotline as most Film Noirs of the late 30s and 40s, but it‚??s also a very well composed re-imagining of one. David Mamet beautifully adapts a decent script into a complete masterwork. It has all the great ingredients that make people love the movies. The look of the film is amazing as well, with a lot of great period sets, costumes and cars. You also get a real sense that you‚??re there with these characters. Bob Rafelson does another great job at directing flawless performances and capturing humans at their best and at their worst.
I don‚??t think you can get better than Jack Nicholson when it comes to shady characters, he captures Frank Chambers perfectly. While you ultimately side with him and relate to his views, he truly is a vile person. What makes it great is Jack Nicholson‚??s deranged sense of charm, which surprisingly works every time. Jessica Lange also gives quite possibly her best performance, definitely the most natural she‚??s ever been.
What I love most about this movie is the fact that the story is so incredibly fun and you become so invested with these two characters who want nothing but trouble. I think it‚??s great when a film can make you side with the villains, most of the time they‚??re the most interesting ones anyway. Even through all their bad deeds, they still manage to engage you and make you fall in love with them.
a real disappointment, stick with the lana turner/john garfield original. even with the 40's restrictions that one is so much more sensual and entertaining.More
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