Masterpiece of voyeurism.
Rear Window (1954)
Tomatometer
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Reviews Counted:58
Fresh:58
Rotten:0
Average Rating:8.8/10
Consensus: Hitchcock exerted full potential of suspense in this masterpiece.
Runtime: 1 hr 55 mins
Genre: Dramas
Synopsis: The weather is getting hotter, and photographer L.B. Jefferies (Jimmy Stewart) is stuck in his apartment with a broken leg and nothing to do--that is, nothing to do but spy on his neighbors through... The weather is getting hotter, and photographer L.B. Jefferies (Jimmy Stewart) is stuck in his apartment with a broken leg and nothing to do--that is, nothing to do but spy on his neighbors through their open windows across the way in the apartment complex. There's an attractive and scantily clad dancer, a songwriter, a lonely woman, and the Thorwalds (Raymond Burr and Irene Winston), a bickering couple, among others. But when Mrs. Thorwald disappears, Jefferies is sure that something's wrong. Soon, despite the warnings of his girlfriend, Lisa (Grace Kelly), and his motherly nurse, Stella (Thelma Ritter), Jefferies has out his binoculars and telephoto lens and is studying his neighbor "like a bug under glass." However, looking in from the outside might not be as safe as Jefferies assumes. REAR WINDOW is not only a gripping story of murder and suspense, it is a celebrated allegory on the nature of film itself, a story in which the audience watches Jefferies watch the story unfold. The different windows represent the various different stories that are often told on film and also can be seen as representing the coming of television, as Jefferies can watch a multitude of "shows" from the comfort of his own apartment. [More]
Starring: James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter
Starring: James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter, Raymond Burr, Judith Evelyn, Sara Berner, Frank Cady, Georgine Darcy
Director: Alfred Hitchcock
Director: Alfred Hitchcock
Producer: Alfred Hitchcock
Screenwriter: John Michael Hayes
Story: Cornell Woolrich
Composer: Franz Waxman
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Reviews for Rear Window
One of Hitchcock's most accessible films is also one of his most gleefully deviant, dealing as it does with such fun urban pastimes as voyeurism and spousal mayhem.
For some real voyeuristic thrills, one cannot do better than Universal's sparkling remaster of Alfred Hitchcock's timeless (that is, aside from the dated, soundstagey production design) 1954 classic.
The clearest example of a Hitchcock movie that functions on dual levels: It's both mousetrap and abyss.
Since the 1954 Alfred Hitchcock classic is all about the voyeuristic instinct, the better the view, the more sensational the experience.
Rear Window lovingly invests in suspense all through the film, banking it in our memory, so that when the final payoff arrives, the whole film has been the thriller equivalent of foreplay.
But there's no denying this is Hitchcock at his finest, and that Rear Window is worth seeing again - and again
Sunlight, light bulbs, lenses and shadows are more than suspense window-dressing in this one -- in many instances, they are the suspense.
An intriguing, brilliant Hitchcockian macabre visual study of obsessive human curiosity and voyeurism.
What a treat it is to see this wonderful classic from Hitchcock restored so we can enjoy it on the big screen.
Its appeal, which goes beyond that of other, equally masterly Hitchcock works, remains undiminished.
But if eggheads have made it a subject of scholarship, it's because Hitchcock and his screenwriter, John Michael Woolrich, really did create a lasting multimedia prophecy.
Hitchcock combines technical and artistic skills in a manner that makes this an unusually good piece of murder mystery entertainment.
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