Average Rating: 6.1/10
Reviews Counted: 26
Fresh: 18 | Rotten: 8
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Average Rating: 4.6/10
Critic Reviews: 5
Fresh: 2 | Rotten: 3
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Average Rating: 3.2/5
User Ratings: 11,984
In the year 2018 violence has been outlawed and corporations have replaced government as the ruling party following the demise of politics. With the absence of war or conflict, a forcibly passive population's bloodlust is satisfied by a brutal new sport known as Rollerball. A high-octane melding of the outlawed sports of the past, the worldwide phenomenon of Rollerball has resulted in a corporate-backed sensation. The most popular athlete in the world, Jonathan E. (James Caan) has steadily risen
Jun 25, 1975 Wide
Jun 19, 2001
MGM Home Entertainment
Richard Le Parmentie...
Jonathan's Guard No....
Alfred Thomas Catalf...
Jonathan's Captain o...
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James Caan, on roller skates, is trying to save the world. This needs a bit of explaining, which is only the beginning of the trouble with Rollerball.
Norman Jewison's sensational futuristic drama about a world of Corporate States stars James Caan in an excellent performance as a famed athlete who fights for his identity and free will.
Lifeless, uninspired, and crammed with enough hints of intellectual consistency to give the socially conscious critical establishment shivers of excitement.
Ultimately, Rollerball gets by on its sheer monolithic quality - an abundance of quantity. Despite indifferent direction and dire humour, it is well mounted and photographed.
Everyone else, including Mr. Caan and John Houseman, who plays a leading Houston executive, is more solemn and serious than the movie ever merits.
Inside the arena, it's a fantastic action movie, but outside, it's starchy and pretentious.
Seems to being going around in circles trying to say something but is not sure about what it wants to say, as it keeps stumbling around every bend.
The performances of Caan and Richardson are excellent, and the rollerball sequences are fast-paced and interesting.
This original version could EASILY have been trimmed down quite some with plenty of repetitive moments popping up throughout the film.
The combination of Roman Empire-styled decadence and violence mixed with a vision of a bizarre, loveless corporate future is evocative and unsettling.
The performances of star player, James Caan, drawn into the politics behind the sport and John Houseman as a creepy corporate boss, are excellent.
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