Its art lies in what Renoir chooses to exclude rather than what he includes.
The Rules of the Game (1939)
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Reviews Counted:37
Fresh:36
Rotten:1
Average Rating:9.1/10
Runtime: 1 hr 55 mins
Genre: Foreign Films
Synopsis: Widely regarded as one of the greatest films ever made, Jean Renoir's masterpiece THE RULES OF THE GAME is a devastating satire of the pre-WWII French aristocracy. Starring Marcel Dalio as wealthy... Widely regarded as one of the greatest films ever made, Jean Renoir's masterpiece THE RULES OF THE GAME is a devastating satire of the pre-WWII French aristocracy. Starring Marcel Dalio as wealthy landowner Marquis Robert de la Chesnaye, it charts the shifting relationships among the guests at a weekend hunting party on his vast estate. The guest list includes Robert's mistress Genevieve (Mila Parely), from whom he's trying to part, and Andre Jurieu (Roland Toutain), a famed aviator who is in love with Robert's wife, Christine (Nora Gregor). As they begin a dizzy dance of escape and pursuit, their games are observed and echoed by the servants below the stairs. The gamekeeper Schumacher (Gaston Modot) is trying to keep the poacher, Marceau (Julien Carette), from poaching on his pretty wife, Lisette (Paulette Dubost), unaware that his boss also has his eye on her. The passionate Jurieu, the only guest incapable of the appropriate hypocrisy, finds Christine in an embrace with a random lover (Pierre Nay), and the startled woman decides to leave Robert and go away with the aviator. Renoir's subtle deployment of long tracking shots in multiplanar deep focus reveals the relations of both groups and individuals as he dismantles the rituals of hypocrisy that make this society run smoothly. [More]
Starring: Marcel Dalio, Nora Gregor, Jean Renoir, Mila Parely
Starring: Marcel Dalio, Nora Gregor, Jean Renoir, Mila Parely, Roland Toutain, Paulette Dubost, Pierre Magnier
Director: Jean Renoir
Director: Jean Renoir
Screenwriter: Jean Renoir, Carl Koch
Producer: Claude Renoir
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Reviews for The Rules of the Game
Embracing every level of French society, from the aristocratic hosts to a poacher turned servant, the film presents a hilarious yet melancholic picture of a nation riven by petty class distinctions.
A film that I adore and worship with religious fervor, one of the small handful of movies that I have never been able to exhaust.
If you think you know it, see it again for its newly rediscovered depth of field, and even more, for its infinite wellsprings of character and empathy.
Even if you think you know it, see it again for its newly rediscovered depth of field, and even more, for its infinite wellsprings of character and empathy.
So simple and so labyrinthine, so guileless and so angry, so innocent and so dangerous, that you can't simply watch it, you have to absorb it.
Defined a style of filmmaking as surely as Potemkin did. Renoir's lucid style manifests itself in a seemingly effortless craftsmansip still unequalled today.
What ultimately defines the film, what makes it unforgettable, is its tragic gravity.
A scathing attack on the show of feeling by a murderously superficial elite . . . the more you watch it, the more Renoir's masterwork reflects the cold, hard truth%u2014The Rules of the Game still apply.
[The film] is a comedy, a tragedy, a portrait of class manners, a love story of touching caprice (who will Nora Grégor's Christine fall for? Whoever woos her at the right moment), and far and away the cinema's greatest midsummer night's dream.
The film was withdrawn, recut, and eventually banned by the occupying forces for its "demoralizing" effects. It was not shown again in its complete form until 1965, when it became clear that here, perhaps, was the greatest film ever made.
Yes, there is the director's perfect and unobtrusive technique...and, yes, there's his extraordinarily good-natured, generous attitude toward his characters. But the whole is much greater than the sum of these elements.
Welcome to The Rules of the Game, Jean Renoir's delightful, frothy, bittersweet masterpiece about romance, class and manners.
One of the films most despised (and butchered) when released, only to become one of the most valued ones, and Renoir's undisputed masterpiece, a decade later
A disaster when initially released, the movie's reputation has only grown since.
The digitally restored print showing in theaters is worth seeing. If it doesn't come to your town, then look for it to show up on IFC in its tribute to Janus Films or buy or rent the Criterion Collection DVD. However you see this masterpiece, you absol
Like the very greatest artists in all media, Renoir was able to transcend his own perspective, his own prejudices, and glimpse something of the terror and wonder of human life, the pain of misapplied or rejected love, for rich as for poor.
A gorgeous, gracefully astute critique of pre-WWII French aristocracy.
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| 45% 45% | Shorts |
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