It is a poetic vision, filled with the symbolism peculiar to Tarkovsky's imagination. It is also a visually stunning, hauntingly beautiful, brilliant piece of art.
The Sacrifice (1986)
Tomatometer
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Reviews Counted:25
Fresh:20
Rotten:5
Average Rating:7.2/10
Runtime: 4 hrs 6 mins
Genre: Foreign Films
Synopsis: Set in Sweden, Andrei Tarkovsky's last film follows the travails of wealthy patriarch Alexander (Erland Josephson), a former actor and critic who lives in a remote home on the edge of the Baltic... Set in Sweden, Andrei Tarkovsky's last film follows the travails of wealthy patriarch Alexander (Erland Josephson), a former actor and critic who lives in a remote home on the edge of the Baltic Sea. One year on his birthday, a sudden television announcement interrupts the celebration with news of a nuclear holocaust. His family and guests suffer through violent fits of hysteria and emotional turmoil in the ensuing days, but the previously troubled Alexander finds a clearness of mind when he makes a pact with God--offering himself as a sacrifice in order to redeem the fallen earth for his cherished son. Supremely poetic, THE SACRIFICE is filled with achingly beautiful images, expertly shot by Ingmar Bergman's trusted cinematographer Sven Nykvist. As Alexander goes from self-contented ease to crippling animal fear and existential anguish and finally to spiritual abandon, the troubled journey is illustrated with a haunting succession of images, tableaus, objects, dreams, and gestures--all sewn together in a seamlessly elliptical vision. As in all of Tarkovsky's haunting and mystical films, the characters are forced to come to terms with their own physical and spiritual existence, with redemption coming through faith--in this case, Alexander's faith in his love for his young son. [More]
Starring: Erland Josephson, Susan Fleetwood, Valerie Mairesse
Starring: Erland Josephson, Susan Fleetwood, Valerie Mairesse
Director: Andrei Tarkovsky, Sven Nykvist
Director: Andrei Tarkovsky, Sven Nykvist
Composer: Watazumido Shuso
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Reviews for The Sacrifice
For all its Swedish trimmings, the long, syrup-slow takes are unmistakably Tarkovsky’s, and it’s these that provide this arthouse disaster movie with its mesmerising power.
A fitting epitaph for a great artist. Every frame could be hung on a wall, the script is supremely thoughtful and the performances are universally excellent.
Invaluable pointers on narrative patience, spiritual yearning and technical finesse.
It's long, stately and po-faced (all reasons why Tarkovsky seems faintly unfashionable these days), but if it's extended, beautifully composed tracking shots you want, he's your man.
Tarkovsky pulls you into a dark, foreboding nightmare and Nykvist [Bergman's former cameraman] gives that nightmare an explosive awakening.
Tarkovsky's last film, a spiritual meditation about the end of the world and a new beginning, bears resemblance to Ingmar Bergman's work, not least beacuse of its themes and lead actor and cinematographer.
True film devotees will appreciate the mystery and the spiritual allusiveness of The Sacrifice.
The Sacrifice, famed Russian director Andrei (Solaris) Tarkovsky's last film, is a pondering, intense, obscure film filled with images that will haunt the collective memories of everybody who has seen it.
Tarkovsky punctuates this so-called "plot" with many, many stunningly poetic images, mostly filmed in long takes with delicate tracking shots.
A difficult film - slow-paced, unashamedly theatrical and heavily laden with philosophy – yet a profoundly satifying one: a rewarding display of filmmaking mastery that forms a mystical and enigmatic coda to a legendary career.
Brilliant and audacious, with one of the most extraordinary final sequences in modern cinema.
The Sacrifice is not the sort of movie most people will choose to see, but those with the imagination to risk it may find it rewarding.
To awaken the spiritual hunger for something beyond materialistic, desacrilized modern existence was the burden of Tarkovsky, cinematic poet laureate of the Russian soul.
The Sacrifice is a stunningly beautiful film that holds your attention even while you feel slightly stunned, in a less welcome way, by what is actually going on.
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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