Average Rating: 7.6/10
Reviews Counted: 55
Fresh: 49 | Rotten: 6
Director Brian De Palma and star Al Pacino take it to the limit in this stylized, ultra-violent and eminently quotable gangster epic that walks a thin white line between moral drama and celebratory excess.
Average Rating: N/A
Critic Reviews: 4
Fresh: 3 | Rotten: 1
Director Brian De Palma and star Al Pacino take it to the limit in this stylized, ultra-violent and eminently quotable gangster epic that walks a thin white line between moral drama and celebratory excess.
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Average Rating: 4.1/5
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Al Pacino stars as Tony Montana, an exiled Cuban criminal who goes to work for Miami drug lord Robert Loggia. Montana rises to the top of Florida's crime chain, appropriating Loggia's cokehead mistress (Michelle Pfeiffer) in the process. Howard Hawks' "X Marks the Spot" motif in depicting the story line's many murders is dispensed with in the 1983 Scarface; instead, we are inundated with blood by the bucketful, especially in the now-infamous buzz saw scene. One carry-over from the original
Sep 19, 2003 Limited
Sep 30, 2003
$0.7M
Universal Films
All Critics (56) | Top Critics (5) | Fresh (55) | Rotten (7) | DVD (44)
Viewed today, while Scarface seems less shocking than it did during its initial theatrical run, it's no more substantive or interesting.
What were Pacino's detractors hoping for? Something internal and realistic? Low key? The Tony Montana character is above all a performance artist, a man who exists in order to gloriously be himself.
I like it as a kind of B-movie version of The Godfather. There are a lot of classic lines and a handful of memorably horrific scenes ...
The dominant mood of the film is anything but funny. It is bleak and futile: What goes up must always come down. When it comes down in Scarface, the crash is as terrifying as it is vivid and arresting.
...much, much longer than it generally needs to be...
One of the best gangster dramas ever made, driven by Pacino's haunting performance and De Palma's lightning pace.
It's a whole new spin on the immigrant story and the American Dream as an underworld nightmare and a fitting bookend to the two Godfather films.
the very definition of excess, which is perhaps why it has persisted so long as a cultural totem: Its florid pleasures can never be exhausted
Paciono gives a riveting performance in the lead in De Palma's over-the-top but engaging modern version of the classic gangster
Extremely violent remake. Not for kids!
Pacino's bravura performance dominates, making no concessions to our sensibilities. And the final shootout is a tour de force of editing.
Still a must-see for Pacino's potent and influential performance.
Scarface has become a touchstone of pop culture, one of the half dozen or so most frequently referenced films of our era.
This almost Jacobean tale of drug gangsters in 1980s Miami is rather too long for the points it makes, but is nevertheless riveting and still, after 26 years, remarkably fresh.
De Palma's film is now back on the big screen and looking better than ever.
Pacino's drug-crazed, bloodshot performance gives this gangster movie a terrifying edge.
[Pacino's] grandstanding performance is still hard to resist and symbolises the baroque excess of this shockingly violent gangster classic.
As overrated as it is overlong.
To call the whole thing visceral is a palpable understatement.
With P. Diddy praising this movie left and right, I was hesitant to jump into this movie. And man was it intense. A powerful statement to those who strive for power and how without a calibrator to keep us human beings in check, we smash and fail. Al Pacino was not Al Pacino - he was Tony Montana. Unfortunately, almost
November 27, 2011Super Reviewer
It's hard to believe that this tale of Mariel Boatlift refugee, Tony Montana, is nearly 30 years old. Aside from some very aged wardrobe and scenery, this movie is still very hip. Speaking of age, the violence Scarface introduced into the crime drama pushed the envelope 30 years ago, and would still hold it's own in
February 10, 2012Super Reviewer
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