Secret Agent (1936)
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Based on the novels of W. Somerset Maugham, The Secret Agent is the second in a trilogy of Alfred Hitchcock spy movies (along with The 39 Steps and Sabotage). Set during WWI, John Gielgud plays British novelist Edgar Brodie who discovers that a government agency has faked his own death. He is then given orders to go to Switzerland to kill a German agent. He goes by the name of Richard Ashenden and travels with secret agent Elsa Carrington (Madeleine Carroll), who poses as his wife. Richard joins professional killer the General (Peter Lorre) to look for clues, which leads them to suspect the tourist Caypor (Percy Marmont). Elsa occupies Caypor's wife, Florence Kahn, while Richard and the General attempt to complete their mission during a climbing trip in the Alps. It turns out he was the wrong man, so the spies reluctantly start another search for clues that leads them to the American charmer Robert Marvin (Robert Young). Unfortunately, he has just boarded a train to Greece with Elsa, so they have to get onboard and warn her. The situation is complicated with an air attack, where several key players meet their fate. The Secret Agent marked a rare instance where Hitchcock was pressured into changing the ending from the more grim original. … More
as Elsa Carrington
as The General
as Robert Marvin
as Richard Ashenden
as Mrs. Caypor
as Capt. Anderson
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Critic Reviews for Secret Agent
Early Hitchcock thriller with early Robert Young starring.
One of Hitchcock's best -- and most disturbing -- British films.
Audience Reviews for Secret Agent
Well, considering that this was based on some works by W. Somerset Maugham, directed by Alfred Hitchcock, and starred John Gielgud and Peter Lorre that it would be one terrific WWI spy thriller.
Surprisingly as it turns out, this film is pretty bad. It's bland, dull, but worst of all boring. Gielgud looks bored and uninterested, Lorre feels out of place, and the plot (three agents join up to take out an undercover spy, but things get complicated when two of them suffer crises of conscience) should be awesome, but I just couldn't get involved or care about it. On top of that, the poicture and sound quality are both really pretty bad at times.
I know that not everything Hitch did was good (at least), but this is just alarmingly terrible. It's as if while making this he had overdosed on apathy pills and stopped trying.
The big train crash climax isn't great, mostly because of the silly and bad effects, but it at least got my attention since it was something happening, instead of lots of nothing taking place.
Even if you're a Hitch diehard, just spare yourself a mess and skip this.
I love Lorre, but his character wasn't that great in this movie. Plus, I didn't get the plot. Maybe I should see it again, but the movie quality is so horrible it's hard to watch.More
Decent early Hitchcock with all his classic elements here but also still in their nascent form. As with most of his beginning films the picture itself is very dark and murky, probably due to age of the film and budget constraints at the time. Good performances from all the cast, Lorre stands out as usual.More
You have to love really classic Hitchcock to enjoy this. The usual Hitchcock Twist, easy to guess as I did half way through. Its from 1936, opening Credits, had Ireland free State listed. A very Young Robert Young and Peter Lorre. What shade is Lorre??? Anyway a Spy vs Spy Thriller, film was decent quality. It came with 11 other hitchcock movies. 2 1/2 stars.More
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