Average Rating: 7.2/10
Reviews Counted: 21
Fresh: 15 | Rotten: 6
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Critic Reviews: 3
Fresh: 1 | Rotten: 2
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Average Rating: 3.8/5
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The plot of William Friedkin's suspense thriller originated with the same Georges Arnaud novel that inspired Henri-Georges Clouzot's French suspense classic The Wages of Fear (1953). Roy Scheider, Bruno Cremer, Francisco Rabal, and Amidou play four men who, for various reasons, cannot return to their own countries. They end up in a dismal South American town where an American oil company is seeking out courageous drivers willing to haul nitroglycerin over 200 miles of treacherous terrain. The
PG, 2 hr. 1 min.
Jun 24, 1977 Wide
Nov 17, 1998
Universal/Paramount Pictures
All Critics (22) | Top Critics (4) | Fresh (15) | Rotten (6) | DVD (6)
The new movie is handsomely shot and crisply edited. Why, then, does one rather distantly respect it instead of just plain liking it? It is an odd, disappointing feeling to take away from a summertime movie.
William Friedkin's Sorcerer is a painstaking, admirable, but mostly distant and uninvolving suspenser based on the French classic The Wages of Fear.
Friedkin's Sorcerer is just as gripping and spine-tingling an adventure film as The Wages of Fear and, at times, surpasses the original film with breathtaking photography and a superb use of sound
Friedkin's maldit analysis of The Wages of Fear retains Clouzot's perverse punchline and adds plenty of its own
It's rare that a remake lives up to the original upon which it was based, but "Sorcerer" is that exceptional movie.
Sorcerer is simply riveting cinema, one of the most enthralling, suspenseful and heart-stopping films I have ever seen.
Friedkin hints at political themes, but the film suffers most from condescendingly over-emphatic direction, and a generally tedious, relentless grimy realism in the opening half hour.
The film could never shake the dark cloud that hung over its head.
A damned riveting film, from start to finish
Though not a patch on the Clouzot movie, it is still rather gripping, the photography is superb, there is an excellent use of sound and an eerie electronic score by Tangerine Dream.
while its narrative is slipshod, the dialogue is problematic and the drive is irresolute - one thing's for sure, the film's few golden moments of awe-inspiring action is simply that - white-knuckle classic thrills
Being an immense fan of the Clouzot's Wages of Fear, coupled with knowing Friedkin's hubris, made me not to thrilled to give this movie a whirl. However, my love for Scheider got the best of me and I finally spent some time with the film. And man am I glad I did.Does Friedkin ratchet up the suspense that makes the
December 1, 2011Super Reviewer
As the characters in the picture, maybe William Friedkin was doomed from the instant he decided to tempt providence going back to H.G Clouzot's masterpiece. His most ambicious project was, from early stages, development hell, plus a terrible distribution date that condemned it to be a flop, but worst things happened
May 5, 2009Super Reviewer
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