There's an inevitable staginess to Tennessee Williams' devastating portrait of delusion and cruelty, but director Elia Kazan catches the squalid, claustrophobic atmosphere of a New Orleans tenement just right.
A Streetcar Named Desire (1951)
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Reviews Counted:46
Fresh:45
Rotten:1
Average Rating:8.5/10
Runtime: 2 hrs 11 mins
Genre: Dramas
Synopsis: Tennessee Williams based his screenplay on Oscar Saul's adaptation of Williams' Pulitzer Prize-winning play set in a grimy New Orleans project. The story of the fragile sentimentalism of a former... Tennessee Williams based his screenplay on Oscar Saul's adaptation of Williams' Pulitzer Prize-winning play set in a grimy New Orleans project. The story of the fragile sentimentalism of a former prostitute who visits her sister only to be taunted mercilessly by her childish brother-in-law. Academy Award Nominations: 12, including Best Picture, Best Director, Best Actor (Marlon Brando), and Best Screeplay. Academy Awards: 4, including Best Actress (Vivien Leigh), Best Supporting Actress (Kim Hunter), and Best Supporting Actor (Karl Malden). The director's cut contains three minutes of previously censored footage. [More]
Starring: Vivien Leigh, Marlon Brando, Kim Hunter, Karl Malden
Starring: Vivien Leigh, Marlon Brando, Kim Hunter, Karl Malden, Rudy Bond, Nick Dennis, Wright King, Richard Garrick
Director: Elia Kazan
Director: Elia Kazan
Producer: Charles K. Feldman
Screenwriter: Tennessee Williams, Oscar Saul
Composer: Alex North
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Release:
May 2, 2006
Reviews for A Streetcar Named Desire
The camera has done greater justice to the Williams play, catching the nuances and reflected tragedy with an intimacy that is so vital in a story of this type.
This faithful picturization of Tennessee Williams' grim and depressing drama of Southern decadence will shock many regular picturegoers just as it will be widely praised and discussed by sophisticated patrons.
A Streetcar Named Desire features some of the finest ensemble acting ever offered on the screen, speaking some Williams's most vivid dialogue.
Between them Kasan, Brando and Leigh take all the blood, sweat and tears of Williams' text and create one of the most potent productions of the post-war years.
Has a permanent place amongst the classics, not only for the performances but for Tennessee Williams' raw writing about people raw with pain, fear, longing and complicated feelings
Inner torments are seldom projected with such sensitivity and clarity on the screen.
Lacks the poignancy you could almost swear was a given, considering it was adapted from an acclaimed Tennesse Williams play.
Thanks to the excellent text and superb actors, Kazan managed to create a very good film, but he still failed to turn it into genuine and everlasting masterpiece.
Latest News for A Streetcar Named Desire
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