It's one of the truly great works of the American cinema, and it shows just what kind of excellence movies are capable of.
Touch of Evil (1958)
Tomatometer
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Reviews Counted:51
Fresh:48
Rotten:3
Average Rating:8.5/10
Consensus: Artistically innovative and emotionally gripping, Orson Welles’ classic noir is a visual treat, as well as a dark, sinister thriller.
Runtime: 1 hr 51 mins
Genre: Dramas
Synopsis: Orson Welles's TOUCH OF EVIL is nothing short of a masterpiece. Beginning with a three-minute-plus tracking crane shot, the film explodes onto the screen, literally--the marvelously expressive... Orson Welles's TOUCH OF EVIL is nothing short of a masterpiece. Beginning with a three-minute-plus tracking crane shot, the film explodes onto the screen, literally--the marvelously expressive opening shot ends with a car blowing up, and that detonation sets into motion a classic noir tale of betrayal and murder. In a complex exploration of character and morality, Welles plays the racist Captain Hank Quinlan, a grotesque, troubled, and powerful figure who runs his small U.S. border town according to his own version of the law. Quinlan's brutishness and vulgarity contrast starkly with the idealism and playboy good looks of Charlton Heston as Mike Vargas, a Mexican detective trying to put away the leader of a dangerous family of drug dealers--the Grandis. In the U.S. with his new bride, Susie (Janet Leigh), Vargas becomes consumed with exposing Quinlan and his highly questionable methods--too busy to see that his own beautiful blonde bride is in serious danger from both Quinlan and the Grandis. In 1998, Welles's film was restored closer to its creator's original vision, and it is a joy to behold. Every shot is impeccably crafted, every word of dialogue concise and pointed. The camerawork (by Russell Metty and John Russell) is stunning, particularly in the opening scene and the long single take in which Vargas believes he has caught Quinlan planting evidence. The supporting cast, led by Marlene Dietrich, Dennis Weaver, Akim Tamiroff, and Joseph Calleia, gives exhilarating performances. TOUCH OF EVIL, Welles's last studio film, is a near-perfect examination of the dark underbelly of society and the tragic downfall of a once proud man. [More]
Starring: Charlton Heston, Janet Leigh, Orson Welles, Joseph Calleia
Starring: Charlton Heston, Janet Leigh, Orson Welles, Joseph Calleia, Akim Tamiroff, Marlene Dietrich, Zsa Zsa Gabor, Ray Collins
Director: Orson Welles, Harry Keller
Director: Orson Welles
Producer: Albert Zugsmith
Director: Harry Keller
Screenwriter: Orson Welles
Composer: Henry Mancini
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Reviews for Touch of Evil
A sweaty thriller conundrum on character and corruption, justice and the law, worship and betrayal, it plays havoc with moral ambiguities.
Even in underachievement Welles showed the truly magnificent scope of his talent and the excellent reputation of this film is, after all, well deserved.
Dark, sinister and not altogether comprehensible, this is nonetheless an intriguing study of the art of filmmaking.
...Welles' baroque border-town murder mystery is a wild masterpiece, a sleazy, grimy, jittery, and ultimately dazzling work of cinematic magic.
Orson Welles gives screenwriters an example to follow: write everything -- yes, everything -- down and leave it in a prominent place where someone will find it 20 years after your death when presumably your genius will finally be recognized.
Touch of Evil (1958) is back in yet another incarnation -- proving that Welles' directorial touch was so sure that there was no way anyone could bollix his work.
...embodies everything that is so exhilarating and maddening about Welles. Both inspired and confused, Touch of Evil is the work of a master who cannot quite give life on screen to what he imagines in his head.
Welles' outlandish visual talent is on full display as he puts noir movie conventions through the wringer and creates one of the most terrifyingly seedy yet utterly compelling films ever made.
Touch of Evil (1958) is a great American film noir crime thriller, dark mystery, and cult classic - another technical masterpiece from
The film has always been a favorite of those who enjoy visual and dramatic flamboyance.
I first saw it when I was 14 and thought it was one of the worst pictures ever -- garish, oppressive, and appallingly overacted. Grown up, I'd go with those same adjectives, except now I think it's one of the best.
The film has always been full of reckless energy, and now it is, as they say, better than ever.
the camera work and blocking have the coordination of an Olympic pole vaulter
If this is not his greatest film, Touch of Evil certainly is among Welles’ most entertaining.
It's a flurry of pressure-cooker baroque, an extreme example of the exhibitionistic hijinks in which Welles could sometimes indulge, apparently intensified here because he wasn't doing what he really wanted to be doing.
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